sub_filecrds.tex

%% sub_filecards.tex
%% Generated by `songlist' Wed, 05 Aug 2026 10:08:39 CEST

\begingroup
\catcode`\%=\other

\FilecardSection{A}
\A
\B{0pt}{0pt}{Abends in der Taverna}{\hbox to\wmdimen{Words:  \hss}Aldo von Pinelli.}{\hbox to\wmdimen{Music:  \hss}Werner Bochmann.}{Copyright {\copyright} 1940}{}{}{0}
\B{0pt}{.5\hsize}{After You've Gone}{\hbox to\wmdimen{Words:  \hss}Henry Creamer.}{\hbox to\wmdimen{Music:  \hss}Turner Layton.}{Copyright {\copyright} 1918}{}{}{0}
\B{.25\vsize}{0pt}{Ain't Misbehavin'}{\hbox to\wmdimen{Words:  \hss}Andy Razaf.}{\hbox to\wmdimen{Music:  \hss}Thomas ``Fats'' Waller and Harry Brooks.}{Copyright {\copyright} 1929}{}{}{0}
\B{.25\vsize}{.5\hsize}{Ain't She Sweet?}{\hbox to\wmdimen{Words:  \hss}Jack Yellen.}{\hbox to\wmdimen{Music:  \hss}Milton Ager.}{\vbox{\hbox{Copyright {\copyright} 1927 (Renewed)}\vskip\copyrightskip\hbox{WB Music Corp.~and Edwin H. Morris \& Co.}}}{}{{\bf The Looney Tunes Songbook}, p.~57.}{0}
\B{.5\vsize}{0pt}{Alice Blue Gown}{\hbox to\wmdimen{Words:  \hss}Joe McCarthy.}{\hbox to\wmdimen{Music:  \hss}Harry Tierney.}{Copyright {\copyright} 1919}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 20s--}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~9.}}}{0}
\B{.5\vsize}{.5\hsize}{All God's Children}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Walter Jurmann and Bronislaw Kaper.}{Copyright {\copyright} 1937}{Film:  {\largebx Day at the Races, A}}{}{0}
\B{.75\vsize}{0pt}{All I Do Is Dream Of You}{\hbox to\wmdimen{Words:  \hss}Arthur Freed.}{\hbox to\wmdimen{Music:  \hss}Nacio Herb Brown.}{Copyright {\copyright} 1934}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1930s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~9.}}}{0}
\B{.75\vsize}{.5\hsize}{All the Things You Are}{\hbox to\wmdimen{Words:  \hss}Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{Copyright {\copyright} 1939}{Musical:  {\largebx Very Warm for May}}{}{0}
\eject

\A
\B{0pt}{0pt}{Alles f@{u}hlt der Liebe Freuden}{\hbox to\wmdimen{Words:  \hss}Emanuel Schikaneder.}{\hbox to\wmdimen{Music:  \hss}Wolfgang Amadeus Mozart.}{Year:  1791}{Opera:  {\largebx Zauberfl@{o}te, Die}}{{\bf Opern-Arien, Tenor}, p.~177.}{0}
\B{0pt}{.5\hsize}{Alone Again (Naturally)}{Words and Music:  Gilbert O'Sullivan (Ray Gilbert)}{}{Copyright {\copyright} 1972}{}{{\bf Best of Gilbert O'Sullivan, The}, p.~16.}{0}
\B{.25\vsize}{0pt}{Amour est bleu, L'}{\hbox to\wmdimen{Words:  \hss}Pierre Cour.}{\hbox to\wmdimen{Music:  \hss}Andr{\'e} Popp.}{Copyright {\copyright} 1967}{}{}{0}
\vbox to 0pt{\C{.25\vsize}{.5\hsize}{Annie Get Your Gun}{Musical}{1946}{0}
\leftline{\hskip\Chskip\hskip\basichskip Anything You Can Do}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip There's No Business Like Show Business}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip They Say it's Wonderful}
\vskip12pt
\vss}
\B{.5\vsize}{0pt}{Annie's Song}{Words and Music:  John Denver}{}{Copyright {\copyright} 1974}{}{}{0}
\B{.5\vsize}{.5\hsize}{Antonius von Padua Fischpredigt, Des}{\hbox to\wmdimen{Words:  \hss}Anonymous, Gustav Mahler.}{\hbox to\wmdimen{Music:  \hss}Gustav Mahler.}{Copyright {\copyright} 1914}{\vtop{\hbox{Song Cycle:}\vskip\titleskip\hbox{{\largebx 14 Lieder aus Des Knaben Wunderhorn}}}}{\vbox{\hbox{{\bf 14 Lieder aus Des Knaben Wunderhorn}}\vskip\sourceskip\hbox{{\bf f@{u}r tiefe Stimme und Klavier}, p.~32.}}}{0}
\B{.75\vsize}{0pt}{Anything Goes}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1934}{Musical:  {\largebx Anything Goes}}{{\bf Best of Cole Porter, The}, p.~68.}{0}
\B{.75\vsize}{.5\hsize}{Anything You Can Do}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1946}{Musical:  {\largebx Annie Get Your Gun}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The.}}\vskip\sourceskip\hbox{{\bf Broadway Songs}, p.~2.}}}{0}
\eject

\A
\B{0pt}{0pt}{April in Paris}{\hbox to\wmdimen{Words:  \hss}E.Y.~``Yip'' Harburg.}{\hbox to\wmdimen{Music:  \hss}Vernon Duke.}{Copyright {\copyright} 1947}{Revue:  {\largebx Walk a Little Faster}}{\vbox{\hbox{{\bf Vernon Duke Songbook,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~4.}}}{0}
\B{0pt}{.5\hsize}{April Showers}{\hbox to\wmdimen{Words:  \hss}Buddy G.~De Sylva.}{\hbox to\wmdimen{Music:  \hss}Louis Silvers.}{Copyright {\copyright} 1921}{}{}{0}
\B{.25\vsize}{0pt}{As Time Goes By}{Words and Music:  Herman Hupfeld}{}{Copyright {\copyright} 1931}{}{}{0}
\B{.25\vsize}{.5\hsize}{At Seventeen}{Words and Music:  Janis Ian}{}{Copyright {\copyright} 1975}{}{Single edition.}{0}
\B{.5\vsize}{0pt}{Au fond du temple saint}{\hbox to\wmdimen{Words:  \hss}Eug{\`e}ne Cormon and Michel Carr{\'e}.}{\hbox to\wmdimen{Music:  \hss}Georges Bizet.}{Year:  1863}{Opera:  {\largebx P{\^e}cheurs de perles, Les}}{Single edition, Edition Peters, EP 7588.}{0}
\B{.5\vsize}{.5\hsize}{Autumn in New York}{Words and Music:  Vernon Duke}{}{Copyright {\copyright} 1934}{Revue:  {\largebx Walk a Little Faster}}{\vbox{\hbox{{\bf Vernon Duke Songbook,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~8.}}}{0}
\FilecardSection{B}
\B{.75\vsize}{0pt}{Baby Face}{\hbox to\wmdimen{Words:  \hss}Benny Davis.}{\hbox to\wmdimen{Music:  \hss}Harry Akst.}{Copyright {\copyright} 1926}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1920s,}}\vskip\sourceskip\hbox{{\bf Volume 2}, p.~24.}}}{0}
\B{.75\vsize}{.5\hsize}{Baby, It's Cold Outside}{Words and Music:  Frank Loesser}{}{}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Baubles, Bangles and Beads}{Words and Music:  \vtop{\hbox{Robert Wright and}\vskip\composerskip\hbox{George Forrest}}}{}{Copyright {\copyright} 1953}{Musical:  {\largebx Kismet}}{{\bf Kismet, Vocal Selections}, p.~13.}{0}
\B{0pt}{.5\hsize}{Begin the Beguine}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1935 (Renewed) Warner Bros.~Inc.}{}{{\bf Best of Cole Porter, The}, p.~30.}{0}
\B{.25\vsize}{0pt}{Bel Ami}{\hbox to\wmdimen{Words:  \hss}Hans Fritz Beckmann.}{\hbox to\wmdimen{Music:  \hss}Theo Mackeben.}{Copyright {\copyright} 1939}{}{}{0}
\vbox to 0pt{\C{.25\vsize}{.5\hsize}{Bells are Ringing}{Musical}{1956}{0}
\leftline{\hskip\Chskip\hskip\basichskip Just in Time}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Party's Over, The}
\vskip12pt
\vss}
\B{.5\vsize}{0pt}{\vbox{\hbox{Between the Devil and the}\vskip\titleskip\hbox{Deep Blue Sea}}}{\hbox to\wmdimen{Words:  \hss}Ted Koehler.}{\hbox to\wmdimen{Music:  \hss}Harold Arlen.}{Copyright {\copyright} 1931}{}{}{0}
\B{.5\vsize}{.5\hsize}{Bewitched}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1941}{Musical:  {\largebx Pal Joey}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~234.}}}{0}
\B{.75\vsize}{0pt}{Bill}{\hbox to\wmdimen{Words:  \hss}\vtop{\hbox{P.G.~Wodehouse and}\vskip\composerskip\hbox{Oscar Hammerstein II}}.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{Copyright {\copyright} 1927}{Musical:  {\largebx Showboat}}{}{0}
\B{.75\vsize}{.5\hsize}{Blue Moon}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1934}{}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~264.}}}{0}
\eject

\A
\B{0pt}{0pt}{Blue Skies}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1926}{}{{\bf Irving Berlin Songs}, p.~16.}{0}
\B{0pt}{.5\hsize}{Body and Soul}{\hbox to\wmdimen{Words:  \hss}\vtop{\hbox{Edward Heymann, Frank Eyton}\vskip\composerskip\hbox{and Robert Sour}}.}{\hbox to\wmdimen{Music:  \hss}John W.~Green.}{Copyright {\copyright} 1930}{}{}{0}
\B{.25\vsize}{0pt}{Buenas Noches mi Amor}{\hbox to\wmdimen{Words:  \hss}Marc Fontenoy.}{\hbox to\wmdimen{Music:  \hss}Hubert Giraud.}{Copyright {\copyright} 1957}{}{{\bf 40 franz@{o}sische Chansons}, p.~99.}{0}
\B{.25\vsize}{.5\hsize}{Button Up Your Overcoat}{Words and Music:  \vtop{\hbox{B.G.~DeSylva, Lew Brown}\vskip\composerskip\hbox{and Ray Henderson}}}{}{Copyright {\copyright} 1928}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 20s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~44.}}}{0}
\B{.5\vsize}{0pt}{By a Waterfall}{\hbox to\wmdimen{Words:  \hss}Irving Kahal.}{\hbox to\wmdimen{Music:  \hss}Sammy Fain.}{Copyright {\copyright} 1933}{}{}{0}
\B{.5\vsize}{.5\hsize}{By The Light Of The Silvery Moon}{\hbox to\wmdimen{Words:  \hss}Ed Madden.}{\hbox to\wmdimen{Music:  \hss}Gus Edwards.}{Copyright {\copyright} 1909}{}{{\bf 100 Years of Popular Music, 1900}, p.~52.}{0}
\B{.75\vsize}{0pt}{By the Sleepy Lagoon}{\hbox to\wmdimen{Words:  \hss}None.}{\hbox to\wmdimen{Music:  \hss}Eric Coates.}{Copyright {\copyright} 1930}{}{{\bf Eric Coates, 100th Anniversary}, p.~6.}{0}
\FilecardSection{C}
\B{.75\vsize}{.5\hsize}{Cabaret}{\hbox to\wmdimen{Words:  \hss}Fred Ebb.}{\hbox to\wmdimen{Music:  \hss}John Kander.}{Copyright {\copyright} 1966}{Musical:  {\largebx Cabaret}}{{\bf Vocal Selections from Cabaret}, p.~30.}{0}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{Cabaret}{Musical}{1966}{0}
\leftline{\hskip\Chskip\hskip\basichskip Cabaret}
\vskip12pt
\vss}
\B{0pt}{.5\hsize}{Call Me}{Words and Music:  Tony Hatch}{}{\vbox{\hbox{Copyright {\copyright} 1965 Welbeck Music Ltd.}\vskip\copyrightskip\hbox{Copyright Renewed.}}}{}{\vbox{\hbox{{\bf The Big Book of '50s and '60s}}\vskip\sourceskip\hbox{{\bf Swinging Songs}, p.~30.}}}{0}
\B{.25\vsize}{0pt}{Camelot}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{Copyright {\copyright} 1960}{Musical:  {\largebx Camelot}}{}{0}
\vbox to 0pt{\C{.25\vsize}{.5\hsize}{Camelot}{Musical}{1960}{0}
\leftline{\hskip\Chskip\hskip\basichskip Camelot}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip If I Should Ever Leave You}
\vskip12pt
\vss}
\B{.5\vsize}{0pt}{Capri Fischer}{\hbox to\wmdimen{Words:  \hss}Ralph Maria Siegel.}{\hbox to\wmdimen{Music:  \hss}Gerhard Winkler.}{Copyright {\copyright} 1943}{}{}{0}
\B{.5\vsize}{.5\hsize}{Caravan}{\hbox to\wmdimen{Words:  \hss}Irving Mills.}{\hbox to\wmdimen{Music:  \hss}Duke Ellington and Juan Tizol.}{}{}{}{0}
\B{.75\vsize}{0pt}{Carioca}{\hbox to\wmdimen{Words:  \hss}Edward Eliscu and Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Vincent Youmans.}{Copyright {\copyright} 1933}{}{}{0}
\B{.75\vsize}{.5\hsize}{Carolina in the Morning}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Walter Donaldson.}{Copyright {\copyright} 1922}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Chances Are}{\hbox to\wmdimen{Words:  \hss}Al Stillman.}{\hbox to\wmdimen{Music:  \hss}Robert Allen.}{}{}{}{0}
\B{0pt}{.5\hsize}{Change Partners}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1938}{Film:  {\largebx Carefree}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The,}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~18.}}}{0}
\B{.25\vsize}{0pt}{Charleston, The}{\hbox to\wmdimen{Words:  \hss}Cecil Mack.}{\hbox to\wmdimen{Music:  \hss}James P.~Johnson.}{Copyright {\copyright} 1923}{}{}{0}
\B{.25\vsize}{.5\hsize}{Cheek to Cheek}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1935}{Film:  {\largebx Top Hat}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The,}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~22.}}}{0}
\B{.5\vsize}{0pt}{Chega de Saudade}{\hbox to\wmdimen{Words:  \hss}Vin{\'\i}cius de Moraes.}{\hbox to\wmdimen{Music:  \hss}Antonio Carlos Jobim.}{}{}{}{0}
\B{.5\vsize}{.5\hsize}{Chicago (That Toddling Town)}{Words and Music:  Fred Fisher}{}{Copyright {\copyright} 1922}{}{}{0}
\B{.75\vsize}{0pt}{Claire}{Words and Music:  Gilbert O'Sullivan (Ray Gilbert)}{}{Copyright {\copyright} 1972}{}{{\bf Best of Gilbert O'Sullivan, The}, p.~5.}{0}
\B{.75\vsize}{.5\hsize}{Close to You}{\hbox to\wmdimen{Words:  \hss}Hal David.}{\hbox to\wmdimen{Music:  \hss}Burt Bacharach.}{}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Cocktails for Two}{\hbox to\wmdimen{Words:  \hss}Sam Coslow.}{\hbox to\wmdimen{Music:  \hss}Arthur Johnston.}{Copyright {\copyright} 1934}{}{}{0}
\B{0pt}{.5\hsize}{Comme d'Habitude}{\hbox to\wmdimen{Words:  \hss}Gille Thibaut.}{\hbox to\wmdimen{Music:  \hss}Jacques Revaux and Cluade Fran{\c c}ois.}{Copyright {\copyright} 1967}{}{}{0}
\B{.25\vsize}{0pt}{Consider Yourself}{Words and Music:  Lionel Bart}{}{\vtop{\hbox{Copyright {\copyright} 1959 by}\vskip\copyrightskip\hbox{Lakeview Music Publishing Company Limited.}}}{Musical:  {\largebx Oliver!}}{{\bf Lionel Bart's Oliver, Vocal Selections}, p.~30.}{0}
\B{.25\vsize}{.5\hsize}{Continental, The}{\hbox to\wmdimen{Words:  \hss}Herb Magidson.}{\hbox to\wmdimen{Music:  \hss}Con Conrad.}{Copyright {\copyright} 1934}{Film:  {\largebx Gay Divorcee, The}}{}{0}
\B{.5\vsize}{0pt}{Cool}{\hbox to\wmdimen{Words:  \hss}Stephen Sondheim.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1957}{Musical:  {\largebx West Side Story}}{\vbox{\hbox{{\bf West Side Story, Die bekanntesten}}\vskip\sourceskip\hbox{{\bf Melodien}, p.~56 (Vocal Selections).}}}{0}
\B{.5\vsize}{.5\hsize}{Coquette}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}John W.~Green and Carmen Lombardo.}{Copyright {\copyright} 1928}{}{}{0}
\B{.75\vsize}{0pt}{Corcovado}{Words and Music:  Antonio Carlos Jobim}{}{Copyright {\copyright} 1962, 1964 (Renewed)}{}{\vbox{\hbox{{\bf Definitive Antonio Carlos Jobim}}\vskip\sourceskip\hbox{{\bf Collection, The}, p.~144.}}}{0}
\B{.75\vsize}{.5\hsize}{Cosi Cosa}{\hbox to\wmdimen{Words:  \hss}Ned Washington.}{\hbox to\wmdimen{Music:  \hss}Walter Jurmann and Bronislaw Kaper.}{Copyright {\copyright} 1935}{Film:  {\largebx Night at the Opera, A}}{}{0}
\eject

\A
\B{0pt}{0pt}{Crazy}{Words and Music:  Willie Nelson}{}{Copyright {\copyright} 1961}{}{{\bf Patsy Cline}, p.~30.}{0}
\B{0pt}{.5\hsize}{Cuban Pete}{Words and Music:  Jos{\'e} Norman}{}{Copyright {\copyright} 1936 and 1964}{}{{\bf Big Book of Latin American Songs}, p.~60.}{0}
\B{.25\vsize}{0pt}{Cup of Coffee, a Sandwich and You, A}{\hbox to\wmdimen{Words:  \hss}Al Dubin and Billy Rose.}{\hbox to\wmdimen{Music:  \hss}Joseph Meyer.}{Copyright {\copyright} 1925}{}{}{0}
\FilecardSection{D}
\B{.25\vsize}{.5\hsize}{Da geh ich zu Maxim}{\hbox to\wmdimen{Words:  \hss}Victor L{\'e}on und Leo Stein.}{\hbox to\wmdimen{Music:  \hss}Franz Leh{\'a}r.}{Copyright {\copyright} 1905}{Operetta:  {\largebx Lustige Witwe, Die}}{}{0}
\vbox to 0pt{\C{.5\vsize}{0pt}{Damn Yankees}{Musical}{1955}{0}
\leftline{\hskip\Chskip\hskip\basichskip Heart (You've Gotta Have Heart)}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Whatever Lola Wants (Lola Gets)}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Deep Purple}{\hbox to\wmdimen{Words:  \hss}Mitchell Parish.}{\hbox to\wmdimen{Music:  \hss}Peter DeRose.}{Copyright {\copyright} 1939}{}{}{0}
\B{.75\vsize}{0pt}{Desafinado}{Words and Music:  Antonio Carlos Jobim}{}{Copyright {\copyright} 1959, 1967 (Renewed)}{}{{\bf The Music of Antonio Carlos Jobim}, p.~3.}{0}
\B{.75\vsize}{.5\hsize}{Diamonds are a Girl's Best Friend}{\hbox to\wmdimen{Words:  \hss}Leo Robin.}{\hbox to\wmdimen{Music:  \hss}Jule Styne.}{Copyright {\copyright} 1949}{Musical:  {\largebx Gentlemen Prefer Blondes}}{{\bf The Library of Jazz Standards}, p.~80.}{0}
\eject

\A
\B{0pt}{0pt}{Do You Know the Way to San Jose?}{\hbox to\wmdimen{Words:  \hss}Hal David.}{\hbox to\wmdimen{Music:  \hss}Burt Bacharach.}{Copyright {\copyright} 1967}{}{}{0}
\vbox to 0pt{\C{0pt}{.5\hsize}{Don Giovanni}{Opera}{1787}{0}
\leftline{\hskip\Chskip\hskip\basichskip L{\`a} ci darem la mano}
\vskip12pt
\vss}
\B{.25\vsize}{0pt}{Downtown}{Words and Music:  Tony Hatch}{}{\vbox{\hbox{Copyright {\copyright} 1964 Welbeck Music Ltd.,}\vskip\copyrightskip\hbox{London, England}}}{}{}{0}
\B{.25\vsize}{.5\hsize}{Dream a Little Dream of Me}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Fabian Andre and Wilbur Schwandt.}{{\copyright} 1931 Davis, Coots and Engel}{}{}{0}
\B{.5\vsize}{0pt}{Du sollst der Kaiser meiner Seele sein}{\hbox to\wmdimen{Words:  \hss}Fritz Gr@{u}nbaum und Wilhelm Sterk.}{\hbox to\wmdimen{Music:  \hss}Robert Stolz.}{Copyright {\copyright} 1916}{}{{\bf Das neue Operettenbuch, Buch 1.}}{0}
\B{.5\vsize}{.5\hsize}{Durch die W@{a}lder, durch die Auen}{\hbox to\wmdimen{Words:  \hss}Friedrich Kind.}{\hbox to\wmdimen{Music:  \hss}Carl Maria von Weber.}{Public Domain}{Opera:  {\largebx Freisch@{u}tz, Der}}{}{0}
\FilecardSection{E}
\B{.75\vsize}{0pt}{East of the Sun (and West of the Moon)}{Words and Music:  Brooks Bowman}{}{Copyright {\copyright} 1934}{}{}{0}
\B{.75\vsize}{.5\hsize}{Easy to Love}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1936}{Film:  {\largebx Born to Dance}}{{\bf Best of Cole Porter, The}, p.~41.}{0}
\eject

\A
\B{0pt}{0pt}{Embraceable You}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{}{}{}{0}
\B{0pt}{.5\hsize}{Es leuchten die Sterne}{\hbox to\wmdimen{Words:  \hss}Bruno Balz.}{\hbox to\wmdimen{Music:  \hss}Leo Leux.}{}{}{}{0}
\B{.25\vsize}{0pt}{Este Seu Olhar}{Words and Music:  Antonio Carlos Jobim}{}{Copyright {\copyright} 1964}{}{{\bf Music of Antonio Carlos Jobim, The}, p.~46.}{0}
\B{.25\vsize}{.5\hsize}{Every Time We Say Goodbye}{Words and Music:  Cole Porter}{}{}{}{}{0}
\B{.5\vsize}{0pt}{Everything's Coming Up Roses}{\hbox to\wmdimen{Words:  \hss}Stephen Sondheim.}{\hbox to\wmdimen{Music:  \hss}Jule Styne.}{Copyright {\copyright} 1959}{Musical:  {\largebx Gypsy}}{\vbox{\hbox{{\bf Broadway Double Bill, Gypsy and}}\vskip\sourceskip\hbox{{\bf Funny Girl, Vocal Selections}, p.~5.}}}{0}
\FilecardSection{F}
\B{.5\vsize}{.5\hsize}{Falling in Love With Love}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1938}{Musical:  {\largebx Boys from Syracuse, The}}{\vbox{\hbox{{\bf The Boys from Syracuse.}}\vskip\sourceskip\hbox{{\bf Vocal Selection}, p.~3.}}}{0}
\B{.75\vsize}{0pt}{Farming}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1941}{Musical:  {\largebx Let's Face It}}{Single edition.}{0}
\B{.75\vsize}{.5\hsize}{Feeling the Way I Do}{\hbox to\wmdimen{Words:  \hss}Bud de Sylva.}{\hbox to\wmdimen{Music:  \hss}Walter Donaldson.}{Copyright {\copyright} 1923}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Felicidade, A}{\hbox to\wmdimen{Words:  \hss}Vin{\'\i}cius de Moraes.}{\hbox to\wmdimen{Music:  \hss}Antonio Carlos Jobim.}{Copyright {\copyright} 1959}{Film:  {\largebx Orfeu Negro}}{\vbox{\hbox{{\bf Definitive Antonio Carlos Jobim}}\vskip\sourceskip\hbox{{\bf Collection, The}, p.~65.}}}{0}
\B{0pt}{.5\hsize}{Feuilles Mortes, Les}{\hbox to\wmdimen{Words:  \hss}Jacques Prevert.}{\hbox to\wmdimen{Music:  \hss}Joseph Kosma.}{Copyright {\copyright} 1947}{}{}{0}
\B{.25\vsize}{0pt}{Fine and Dandy}{\hbox to\wmdimen{Words:  \hss}Paul James (James Paul Warburg).}{\hbox to\wmdimen{Music:  \hss}Kay Swift.}{Copyright {\copyright} 1930}{}{}{0}
\B{.25\vsize}{.5\hsize}{Fine Romance, A}{\hbox to\wmdimen{Words:  \hss}Dorothy Fields.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{}{}{}{0}
\vbox to 0pt{\C{.5\vsize}{0pt}{Fiorello!}{Musical}{1959}{0}
\leftline{\hskip\Chskip\hskip\basichskip (I'll Marry) The Very Next Man}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Little Tin Box}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Fly Me to the Moon (In Other Words)}{Words and Music:  Bart Howard}{}{Copyright {\copyright} 1954 (Renewed)}{}{\vbox{\hbox{{\bf The Big Book of '50s and '60s}}\vskip\sourceskip\hbox{{\bf Swinging Songs}, p.~65.}}}{0}
\B{.75\vsize}{0pt}{Food, Glorious Food}{Words and Music:  Lionel Bart}{}{\vtop{\hbox{Copyright {\copyright} 1959 by}\vskip\copyrightskip\hbox{Lakeview Music Publishing Company Limited.}}}{Musical:  {\largebx Oliver!}}{{\bf Lionel Bart's Oliver, Vocal Selections}, p.~9.}{0}
\B{.75\vsize}{.5\hsize}{\vbox{\hbox{Fools Rush In}\vskip\titleskip\hbox{(Where Angels Fear to Tread)}}}{\hbox to\wmdimen{Words:  \hss}Johnny Mercer.}{\hbox to\wmdimen{Music:  \hss}Rube Bloom.}{{\copyright} 1940 WB Music Corp.~(Renewed)}{}{}{0}
\eject

\A
\B{0pt}{0pt}{42nd Street}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1933}{Film:  {\largebx 42nd Street}}{\vbox{\hbox{{\bf All the Vocal Selections}}\vskip\sourceskip\hbox{{\bf from 42nd Street}, p.~12.}}}{0}
\vbox to 0pt{\C{0pt}{.5\hsize}{42nd Street (Film)}{Film}{1933}{0}
\leftline{\hskip\Chskip\hskip\basichskip 42nd Street}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Shuffle Off to Buffalo}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Young and Healthy}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip You're Getting to Be a Habit With Me}
\vskip12pt
\vss}
\vbox to 0pt{\C{.25\vsize}{0pt}{\vtop{\hbox{14 Lieder aus}\vskip\titleskip\hbox{Des Knaben Wunderhorn}}}{Song Cycle}{1914}{0}
\leftline{\hskip\Chskip\hskip\basichskip Antonius von Padua Fischpredigt, Des}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Irdische Leben, Das}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Lob des hohen Verstandes}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Rheinlegendchen}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Wer hat das Liedlein erdacht?}
\vskip12pt
\vss}
\B{.25\vsize}{.5\hsize}{Frauen sind keine Engel}{\hbox to\wmdimen{Words:  \hss}Hans Fritz Beckmann.}{\hbox to\wmdimen{Music:  \hss}Theo Mackeben.}{Copyright {\copyright} 1944}{}{}{0}
\vbox to 0pt{\C{.5\vsize}{0pt}{Freisch@{u}tz, Der}{Opera}{1821}{0}
\leftline{\hskip\Chskip\hskip\basichskip Durch die W@{a}lder, durch die Auen}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Frenesi}{Words and Music:  Alberto Dom{\'\i}nguez Borr{\'a}s}{}{}{}{}{0}
\B{.75\vsize}{0pt}{Frim Fram Sauce, The}{\hbox to\wmdimen{Words:  \hss}Redd Evans.}{\hbox to\wmdimen{Music:  \hss}Joe Ricardel.}{Copyright {\copyright} 1946}{}{{\bf Library of Jazz Standards, The}, p.~94.}{0}
\B{.75\vsize}{.5\hsize}{From This Moment On}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1950}{}{{\bf Best of Cole Porter, The}, p.~54.}{0}
\eject

\A
\B{0pt}{0pt}{Furtiva lagrima, Una}{\hbox to\wmdimen{Words:  \hss}Felice Romani.}{\hbox to\wmdimen{Music:  \hss}Gaetano Donizetti.}{Year:  1832}{Opera:  {\largebx Elisir d’amore, L’}}{{\bf Opern-Arien, Tenor}, p.~72.}{0}
\FilecardSection{G}
\B{0pt}{.5\hsize}{Gar{\^o}ta de Ipanema}{\hbox to\wmdimen{Words:  \hss}Vin{\'\i}cius de Moraes.}{\hbox to\wmdimen{Music:  \hss}Antonio Carlos Jobim.}{Copyright {\copyright} 1963 (Renewed)}{}{\vbox{\hbox{{\bf Definitive Antonio Carlos Jobim}}\vskip\sourceskip\hbox{{\bf Collection, The}, p.~84.}}}{0}
\B{.25\vsize}{0pt}{Georgia on my Mind}{\hbox to\wmdimen{Words:  \hss}Stuart Gorrell.}{\hbox to\wmdimen{Music:  \hss}Hoagy Carmichael.}{Copyright {\copyright} 1930}{}{}{0}
\B{.25\vsize}{.5\hsize}{Georgy  Girl}{\hbox to\wmdimen{Words:  \hss}Tom Springfield.}{\hbox to\wmdimen{Music:  \hss}Jim Dale.}{\vbox{\hbox{1966 and 1967 Springfield Music Ltd., London.}\vskip\copyrightskip\hbox{Chapell \& Co., Inc., publisher.}}}{}{}{0}
\B{.5\vsize}{0pt}{Gigi}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{}{Film:  {\largebx Gigi}}{}{0}
\B{.5\vsize}{.5\hsize}{Girl of the Moment}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1941}{Musical:  {\largebx Lady in the Dark}}{{\bf Kurt Weill, Broadway and Hollywood}, p.~42.}{0}
\B{.75\vsize}{0pt}{Glitter and Be Gay}{\hbox to\wmdimen{Words:  \hss}Richard Wilbur.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1957}{Musical:  {\largebx Candide}}{Single edition.}{0}
\B{.75\vsize}{.5\hsize}{\vtop{\hbox{Gold Diggers' Song, The}\vskip\titleskip\hbox{(We're in the Money)}}}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1933}{Film:  {\largebx Gold Diggers of 1933}}{\vbox{\hbox{{\bf 42nd Street, All the Vocal Selections}}\vskip\sourceskip\hbox{{\bf from 42nd Street}, p.~36.}}}{0}
\eject

\A
\B{0pt}{0pt}{Gute Nacht}{\hbox to\wmdimen{Words:  \hss}Wilhelm M@{u}ller.}{\hbox to\wmdimen{Music:  \hss}Franz Schubert.}{Year:  1827}{Song Cycle:  {\largebx Winterreise, Die}}{\vbox{\hbox{{\bf Schubert.  Lieder Band 3, Hohe Stimme}}\vskip\sourceskip\hbox{B@{a}renreiter Urtext, p.~78.}}}{0}
\B{0pt}{.5\hsize}{Guys and Dolls}{Words and Music:  Frank Loesser}{}{\vbox{\hbox{{\copyright} Copyright 1950 Frank Music Corporation USA.}\vskip\copyrightskip\hbox{{\copyright} Copyright renewed 1978 Frank Music }\vskip\copyrightskip\hbox{Corporation USA.}}}{Musical:  {\largebx Guys and Dolls}}{{\bf Guys and Dolls, Vocal Selections}, p.~18.}{0}
\vbox to 0pt{\C{.25\vsize}{0pt}{Guys and Dolls (Film)}{}{1955}{0}
\leftline{\hskip\Chskip\hskip\basichskip Woman in Love, A}
\vskip12pt
\vss}
\FilecardSection{H}
\B{.25\vsize}{.5\hsize}{Harbour Lights}{\hbox to\wmdimen{Words:  \hss}Jimmy Kennedy.}{\hbox to\wmdimen{Music:  \hss}Hugh Williams.}{}{}{}{0}
\B{.5\vsize}{0pt}{Have Yourself a Merry Little Christmas}{Words and Music:  Hugh Martin and Ralph Blane}{}{Copyright {\copyright} 1943}{Film:  {\largebx Meet Me in St.~Louis}}{Single edition}{0}
\B{.5\vsize}{.5\hsize}{Heart (You've Gotta Have Heart)}{Words and Music:  Richard Adler and Jerry Ross}{}{Copyright {\copyright} 1955}{Musical:  {\largebx Damn Yankees}}{{\bf Damn Yankees, Vocal Selections}, p.~2.}{0}
\B{.75\vsize}{0pt}{Heart and Soul}{\hbox to\wmdimen{Words:  \hss}Frank Loesser.}{\hbox to\wmdimen{Music:  \hss}Hoagy Carmichael.}{\vbox{\hbox{Copyright {\copyright} 1938 (Renewed 1965)}\vskip\copyrightskip\hbox{by Famous Music Corporation.}}}{}{{\bf The Hoagy Carmichael Songbook}, p.~28.}{0}
\B{.75\vsize}{.5\hsize}{Heartaches}{\hbox to\wmdimen{Words:  \hss}John Klenner.}{\hbox to\wmdimen{Music:  \hss}Al Hoffmann.}{Copyright {\copyright} 1931}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Heat Wave}{Words and Music:  Irving Berlin}{}{{\copyright} 1933 (Renewed)}{Musical:  {\largebx As Thousands Cheer}}{}{0}
\B{0pt}{.5\hsize}{Hello! Ma Baby}{Words and Music:  Joe E.~Howard and Ida Emerson}{}{Year:  1899}{}{\vbox{\hbox{{\bf The Looney Tunes Songbook}, p.~98.}\vskip\sourceskip\hbox{{\bf 100 Years of Popular Music, 1900}, p.~128.}}}{0}
\B{.25\vsize}{0pt}{Here's That Rainy Day}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Jimmy van Heusen.}{Copyright {\copyright} 1953}{Musical:  {\largebx Carnival in Flanders}}{\vbox{\hbox{{\bf Classic Songs of Johnny Burke,}}\vskip\sourceskip\hbox{{\bf Hollywood's Songwriter,} p.~33.}}}{0}
\B{.25\vsize}{.5\hsize}{Heute Nacht oder nie}{\hbox to\wmdimen{Words:  \hss}Marcellus Schiffer.}{\hbox to\wmdimen{Music:  \hss}Mischa Spoliansky.}{Copyright {\copyright} 1932}{}{}{0}
\B{.5\vsize}{0pt}{Hey There}{Words and Music:  Richard Adler and Jerry Ross}{}{Copyright {\copyright} 1954}{Musical:  {\largebx Pajama Game, The}}{{\bf Pajama Game, The, Vocal Selections}, p.~3.}{0}
\B{.5\vsize}{.5\hsize}{Hey, Good Lookin'}{Words and Music:  Hank Williams}{}{}{}{}{0}
\B{.75\vsize}{0pt}{Homme et une femme, Un}{\hbox to\wmdimen{Words:  \hss}Pierre Barouh.}{\hbox to\wmdimen{Music:  \hss}Francis Lai.}{Copyright {\copyright} 1966}{Film:  {\largebx Homme et une femme, Un}}{}{0}
\B{.75\vsize}{.5\hsize}{Hooray For Hollywood}{\hbox to\wmdimen{Words:  \hss}Johnny Mercer.}{\hbox to\wmdimen{Music:  \hss}Richard A.~Whiting.}{}{}{}{0}
\eject

\A
\B{0pt}{0pt}{How About You?}{\hbox to\wmdimen{Words:  \hss}Ralph Freed.}{\hbox to\wmdimen{Music:  \hss}Burton Lane.}{}{}{}{0}
\FilecardSection{I}
\B{0pt}{.5\hsize}{I Can Cook Too}{\hbox to\wmdimen{Words:  \hss}Betty Comden and Adolf Green.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1944}{Musical:  {\largebx On the Town}}{{\bf Bernstein on Broadway}, p.~33.}{0}
\B{.25\vsize}{0pt}{I Can Dream, Can't I?}{\hbox to\wmdimen{Words:  \hss}Irving Kahal.}{\hbox to\wmdimen{Music:  \hss}Sammy Fain.}{{\copyright} 1937 by Chappell \& Co. Copyright Renewed}{Musical:  {\largebx Right This Way}}{}{0}
\B{.25\vsize}{.5\hsize}{I Can't Get Started}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}Vernon Duke.}{}{}{}{0}
\B{.5\vsize}{0pt}{I Could Have Danced All Night}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{}{}{}{0}
\B{.5\vsize}{.5\hsize}{I Cover the Waterfront}{\hbox to\wmdimen{Words:  \hss}Edward Heyman.}{\hbox to\wmdimen{Music:  \hss}John W.~Green.}{Copyright {\copyright} 1933}{}{}{0}
\B{.75\vsize}{0pt}{I Don't Know Why (I Just Do)}{\hbox to\wmdimen{Words:  \hss}Roy Turk.}{\hbox to\wmdimen{Music:  \hss}Fred E.~Ahlert.}{Copyright {\copyright} 1931}{}{}{0}
\B{.75\vsize}{.5\hsize}{I Don't Want to Set the World on Fire}{Words and Music:  \vtop{\hbox{Eddie Seiler, Sol Marcus,}\vskip2pt\hbox{Bennie Benjamin}\vskip2pt\hbox{and Eddie Durham}}}{}{Copyright {\copyright} 1941}{}{\vbox{\hbox{{\bf 100 Years of Popular Music,}}\vskip\sourceskip\hbox{{\bf 1940s, Part One}, p.~75.}}}{0}
\eject

\A
\B{0pt}{0pt}{I Get a Kick Out of You}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1934}{Musical:  {\largebx Anything Goes}}{{\bf Best of Cole Porter, The}, p.~68.}{0}
\B{0pt}{.5\hsize}{I Got Plenty o' Nuttin'}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin and DuBose Heyward.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1935}{Opera:  {\largebx Porgy and Bess}}{\vbox{\hbox{{\bf Summertime, The Greatest Songs}}\vskip\sourceskip\hbox{{\bf of George Gershwin}, p.~17.}}}{0}
\B{.25\vsize}{0pt}{I Like the Likes of You}{\hbox to\wmdimen{Words:  \hss}E.Y.~Harburg.}{\hbox to\wmdimen{Music:  \hss}Vernon Duke.}{Copyright {\copyright} 1934}{Revue:  {\largebx Ziegfeld Follies of 1934}}{\vbox{\hbox{{\bf Vernon Duke Songbook,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~28.}}}{0}
\B{.25\vsize}{.5\hsize}{I Married an Angel}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{}{Musical:  {\largebx I Married an Angel}}{}{0}
\B{.5\vsize}{0pt}{I Only Have Eyes for You}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{}{Film:  {\largebx Dames}}{}{0}
\B{.5\vsize}{.5\hsize}{I Say a Little Prayer}{\hbox to\wmdimen{Words:  \hss}Hal David.}{\hbox to\wmdimen{Music:  \hss}Burt Bacharach.}{}{}{}{0}
\B{.75\vsize}{0pt}{I Talk to the Trees}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{Copyright {\copyright} 1951}{Musical:  {\largebx Paint Your Wagon}}{}{0}
\B{.75\vsize}{.5\hsize}{I Wonder Who's Kissing Her Now}{\hbox to\wmdimen{Words:  \hss}Will M.~Hough and Frank R.~Adams.}{\hbox to\wmdimen{Music:  \hss}Harold Orlob.}{Copyright {\copyright} 1909}{Musical:  {\largebx Prince of To-Night, The}}{{\bf 100 Years of Popular Music, 1900}, p.~144.}{0}
\eject

\A
\B{0pt}{0pt}{I'd Do Anything}{Words and Music:  Lionel Bart}{}{\vtop{\hbox{Copyright {\copyright} 1959 by}\vskip\copyrightskip\hbox{Lakeview Music Publishing Company Limited.}}}{Musical:  {\largebx Oliver!}}{{\bf Lionel Bart's Oliver, Vocal Selections}, p.~58.}{0}
\B{0pt}{.5\hsize}{If I Should Ever Leave You}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{Copyright {\copyright} 1960}{Musical:  {\largebx Camelot}}{}{0}
\B{.25\vsize}{0pt}{If Love Were All}{Words and Music:  No@{e}l Coward}{}{{\copyright} 1929 (Renewed).}{}{}{0}
\B{.25\vsize}{.5\hsize}{If You Could Read My Mind}{Words and Music:  Gordon Lightfoot}{}{Copyright {\copyright} 1969}{}{Single edition.}{0}
\B{.5\vsize}{0pt}{I'll Be Seeing You}{\hbox to\wmdimen{Words:  \hss}Irving Kahal.}{\hbox to\wmdimen{Music:  \hss}Sammy Fain.}{{\copyright} 1938 by Williamson Music Co.~(Renewed).}{Musical:  {\largebx Right This Way}}{}{0}
\B{.5\vsize}{.5\hsize}{I'll Close My Eyes}{Words and Music:  Billy Reid}{}{{\copyright} 1945.}{}{}{0}
\B{.75\vsize}{0pt}{I'll Follow My Secret Heart}{Words and Music:  No@{e}l Coward}{}{{\copyright} 1934 (Renewed).}{Musical:  {\largebx Conversation Piece}}{{\bf Sir No@{e}l Coward, His Words and Music}, p.~65.}{0}
\B{.75\vsize}{.5\hsize}{(I'll Marry) The Very Next Man}{\hbox to\wmdimen{Words:  \hss}Sheldon Harnick.}{\hbox to\wmdimen{Music:  \hss}Jerry Bock.}{Copyright {\copyright} 1959}{Musical:  {\largebx Fiorello!}}{{\bf Fiorello!  Vocal Selections}, p.~8.}{0}
\eject

\A
\B{0pt}{0pt}{I'll Never Fall in Love Again}{\hbox to\wmdimen{Words:  \hss}Hal David.}{\hbox to\wmdimen{Music:  \hss}Burt Bacharach.}{}{}{}{0}
\B{0pt}{.5\hsize}{I'll Remember April}{\hbox to\wmdimen{Words:  \hss}Patricia Johnston and Don Raye.}{\hbox to\wmdimen{Music:  \hss}Gene de Paul.}{Copyright {\copyright} 1941}{Film:  {\largebx Ride 'Em Cowboy}}{{\bf 150 of the Most Beautiful Songs Ever}, p.~184.}{0}
\B{.25\vsize}{0pt}{I'll See You Again}{Words and Music:  No@{e}l Coward}{}{{\copyright} 1929 (Renewed).}{}{{\bf Sir No@{e}l Coward, His Words and Music}, p.~34.}{0}
\B{.25\vsize}{.5\hsize}{I'll See You in My Dreams}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Isham Jones.}{Copyright {\copyright} 1924}{}{}{0}
\B{.5\vsize}{0pt}{I'll String Along With You}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1934}{}{}{0}
\B{.5\vsize}{.5\hsize}{Illusions}{Words and Music:  Friedrich Hollaender}{}{Copyright {\copyright} 1948}{}{}{0}
\B{.75\vsize}{0pt}{I'm Forever Blowing Bubbles}{Words and Music:  \vtop{\hbox{John Kellette, James Brockman,}\vskip\composerskip\hbox{Nat Vincent and James Kendis}}}{}{Copyright {\copyright} 1919}{}{\vbox{\hbox{{\bf The Looney Tunes Songbook}, p.~78.}\vskip\sourceskip\hbox{{\bf 100 Years of Popular Music, 1900}, p.~150.}}}{0}
\B{.75\vsize}{.5\hsize}{\vbox{\hbox{I'm Gonna Sit Right Down}\vskip\titleskip\hbox{and Write Myself a Letter}}}{\hbox to\wmdimen{Words:  \hss}Joe Young.}{\hbox to\wmdimen{Music:  \hss}Fred E.~Ahlert.}{Copyright {\copyright} 1935}{}{\vbox{\hbox{{\bf The Big Book of '50s and '60s}}\vskip\sourceskip\hbox{{\bf Swinging Songs}, p.~89.}}}{0}
\eject

\A
\B{0pt}{0pt}{I'm in the Mood for Love}{\hbox to\wmdimen{Words:  \hss}Dorothy Fields.}{\hbox to\wmdimen{Music:  \hss}Jimmy McHugh.}{Copyright {\copyright} 1935}{Film:  {\largebx Every Night at Eight}}{}{0}
\B{0pt}{.5\hsize}{I'm Not At All In Love}{Words and Music:  Richard Adler and Jerry Ross}{}{Copyright {\copyright} 1954}{Musical:  {\largebx Pajama Game, The}}{{\bf Pajama Game, The, Vocal Selections}, p.~17.}{0}
\B{.25\vsize}{0pt}{I'm Shooting High}{\hbox to\wmdimen{Words:  \hss}Ted Koehler and Charles Wilmott.}{\hbox to\wmdimen{Music:  \hss}Jimmy McHugh.}{Copyright {\copyright} 1935}{}{}{0}
\B{.25\vsize}{.5\hsize}{Imagination}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Jimmy van Heusen.}{Copyright {\copyright} 1939}{}{\vbox{\hbox{{\bf Classic Songs of Johnny Burke,}}\vskip\sourceskip\hbox{{\bf Hollywood's Songwriter,} p.~44.}}}{0}
\B{.5\vsize}{0pt}{Impossible Dream, The (The Quest)}{\hbox to\wmdimen{Words:  \hss}Joe Darion.}{\hbox to\wmdimen{Music:  \hss}Mitch Leigh.}{Copyright {\copyright} 1965}{Musical:  {\largebx Man of La Mancha}}{{\bf Man of La Mancha, Vocal Selections}, p.~2.}{0}
\B{.5\vsize}{.5\hsize}{In a Sentimental Mood}{\hbox to\wmdimen{Words:  \hss}Manny Kurtz, Irving Mills.}{\hbox to\wmdimen{Music:  \hss}Duke Ellington.}{}{}{}{0}
\B{.75\vsize}{0pt}{In Sankt Pauli--bei Altona}{Words and Music:  Friedrich Hollaender}{}{Copyright  {\copyright} 1930 Karl Br@{u}ll}{}{}{0}
\B{.75\vsize}{.5\hsize}{Incerteza}{\hbox to\wmdimen{Words:  \hss}Newton F.~Mendon{\c c}a.}{\hbox to\wmdimen{Music:  \hss}Antonio Carlos Jobim.}{Copyright {\copyright} 1966}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Indian Love Call}{\hbox to\wmdimen{Words:  \hss}Otto Harbach and Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Rudolf Friml and Herbert Stothart.}{Copyright {\copyright} 1924}{Operetta:  {\largebx Rose-Marie}}{}{0}
\B{0pt}{.5\hsize}{Indiana Back Home Again in)}{\hbox to\wmdimen{Words:  \hss}Ballard MacDonald.}{\hbox to\wmdimen{Music:  \hss}James F.~Hanley.}{Copyright {\copyright} 1917}{}{}{0}
\B{.25\vsize}{0pt}{Insensatez}{\hbox to\wmdimen{Words:  \hss}Vin{\'\i}cius de Moraes.}{\hbox to\wmdimen{Music:  \hss}Antonio Carlos Jobim.}{Copyright {\copyright} 1963, 1964}{}{\vbox{\hbox{{\bf Definitive Antonio Carlos Jobim}}\vskip\sourceskip\hbox{{\bf Collection, The}, p.~88.}}}{0}
\B{.25\vsize}{.5\hsize}{Irdische Leben, Das}{\hbox to\wmdimen{Words:  \hss}Anonymous, Gustav Mahler.}{\hbox to\wmdimen{Music:  \hss}Gustav Mahler.}{Copyright {\copyright} 1914}{\vtop{\hbox{Song Cycle:}\vskip\titleskip\hbox{{\largebx 14 Lieder aus Des Knaben Wunderhorn}}}}{\vbox{\hbox{{\bf 14 Lieder aus Des Knaben Wunderhorn}}\vskip\sourceskip\hbox{{\bf f@{u}r tiefe Stimme und Klavier}, p.~25.}}}{0}
\B{.5\vsize}{0pt}{Isn't It Romantic?}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1932}{Film:  {\largebx Love Me Tonight}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~192.}}}{0}
\B{.5\vsize}{.5\hsize}{\vtop{\hbox{Isn't This a Lovely Day?}\vskip\titleskip\hbox{(To Be Caught in the Rain)}}}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1935}{Film:  {\largebx Top Hat}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The,}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~45.}}}{0}
\B{.75\vsize}{0pt}{It Could Happen to You}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Jimmy van Heusen.}{Copyright {\copyright} 1944}{Film:  {\largebx And the Angels Sing}}{}{0}
\B{.75\vsize}{.5\hsize}{It Had to be You}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Isham Jones.}{Copyright {\copyright} 1924}{}{}{0}
\eject

\A
\B{0pt}{0pt}{It Never Entered My Mind}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1940}{Musical:  {\largebx Higher and Higher}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~152.}}}{0}
\B{0pt}{.5\hsize}{It's a Pity to Say `Goodnight'}{Words and Music:  Billy Reid}{}{Copyright {\copyright} 1946}{}{\vbox{\hbox{{\bf 100 Years of Popular Music,}}\vskip\sourceskip\hbox{{\bf 1940s, Part Two}, p.~146.}}}{0}
\B{.25\vsize}{0pt}{It's All Right With Me}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1953}{}{{\bf Best of Cole Porter, The}, p.~90.}{0}
\B{.25\vsize}{.5\hsize}{It's De-Lovely}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1936 by Chappell \& Co. (Renewed).}{Musical:  {\largebx Red, Hot and Blue}}{{\bf Best of Cole Porter, The}, p.~95}{0}
\B{.5\vsize}{0pt}{It's Love}{\hbox to\wmdimen{Words:  \hss}Betty Comden and Adolf Green.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1953}{Musical:  {\largebx Wonderful Town}}{{\bf Bernstein on Broadway}, p.~103.}{0}
\B{.5\vsize}{.5\hsize}{It's Not For Me to Say}{\hbox to\wmdimen{Words:  \hss}Al Stillman.}{\hbox to\wmdimen{Music:  \hss}Robert Allen.}{}{}{}{0}
\B{.75\vsize}{0pt}{I've Got a Feeling I'm Falling}{\hbox to\wmdimen{Words:  \hss}Billy Rose.}{\hbox to\wmdimen{Music:  \hss}Thomas ``Fats'' Waller and Harry Link.}{Copyright {\copyright} 1929}{}{{\bf Ain't Misbehavin', Vocal Selections}, p.~42.}{0}
\B{.75\vsize}{.5\hsize}{I've Got a Pocketful of Dreams}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}James V.~Monaco.}{Copyright {\copyright} 1938}{}{\vbox{\hbox{{\bf Classic Songs of Johnny Burke,}}\vskip\sourceskip\hbox{{\bf Hollywood's Songwriter,} p.~41.}}}{0}
\eject

\A
\B{0pt}{0pt}{I've Got the World on a String}{\hbox to\wmdimen{Words:  \hss}Ted Koehler.}{\hbox to\wmdimen{Music:  \hss}Harold Arlen.}{Copyright {\copyright} 1932}{}{}{0}
\B{0pt}{.5\hsize}{I've Got You Under My Skin}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1936 by Chappell {\&} Co.~ (Renewed)}{}{{\bf Best of Cole Porter, The}, p.~86.}{0}
\FilecardSection{J}
\B{.25\vsize}{0pt}{Ja und Nein}{\hbox to\wmdimen{Words:  \hss}Willy Dehmel.}{\hbox to\wmdimen{Music:  \hss}Franz Grothe.}{Copyright {\copyright} 1939}{}{}{0}
\B{.25\vsize}{.5\hsize}{Jalousie ``Tango Tzigane'' (Jealousy)}{\hbox to\wmdimen{Words:  \hss}None.}{\hbox to\wmdimen{Music:  \hss}Jacob Gade.}{{\copyright} 1925.  Public Domain.}{}{}{0}
\B{.5\vsize}{0pt}{Japanese Sandman}{\hbox to\wmdimen{Words:  \hss}Raymond B.~Egan.}{\hbox to\wmdimen{Music:  \hss}Richard A.~Whiting.}{Copyright {\copyright} 1920}{}{}{0}
\B{.5\vsize}{.5\hsize}{Jeepers Creepers}{\hbox to\wmdimen{Words:  \hss}Johnny Mercer.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{}{}{}{0}
\B{.75\vsize}{0pt}{Jet Song}{\hbox to\wmdimen{Words:  \hss}Stephen Sondheim.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1957}{Musical:  {\largebx West Side Story}}{\vbox{\hbox{{\bf West Side Story, Die bekanntesten}}\vskip\sourceskip\hbox{{\bf Melodien}, p.~21 (Vocal Selections).}}}{0}
\B{.75\vsize}{.5\hsize}{Jitterbug Waltz, The}{\hbox to\wmdimen{Words:  \hss}None.}{\hbox to\wmdimen{Music:  \hss}Thomas ``Fats'' Waller.}{Copyright {\copyright} 1942}{}{{\bf Ain't Misbehavin', Vocal Selections}, p.~46.}{0}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{Johnny Johnson}{Musical}{1936}{0}
\leftline{\hskip\Chskip\hskip\basichskip Listen to My Song (Johnny's Song)}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Mon Ami, My Friend}
\vskip12pt
\vss}
\B{0pt}{.5\hsize}{Joint is Jumpin', The}{\hbox to\wmdimen{Words:  \hss}Andy Razaf and J.C.~Johnson.}{\hbox to\wmdimen{Music:  \hss}Thomas ``Fats'' Waller.}{Copyright {\copyright} 1938}{}{{\bf Ain't Misbehavin', Vocal Selections}, p.~78.}{0}
\B{.25\vsize}{0pt}{June in Janury}{\hbox to\wmdimen{Words:  \hss}Leo Robin.}{\hbox to\wmdimen{Music:  \hss}Ralph Rainger.}{}{}{}{0}
\B{.25\vsize}{.5\hsize}{Just in Time}{\hbox to\wmdimen{Words:  \hss}Betty Comden and Adolf Green.}{\hbox to\wmdimen{Music:  \hss}Jule Styne.}{Copyright {\copyright} 1956}{Musical:  {\largebx Bells are Ringing}}{{\bf The Comden and Green Songbook}, p.~68.}{0}
\B{.5\vsize}{0pt}{Just Like a Man}{\hbox to\wmdimen{Words:  \hss}Ogden Nash.}{\hbox to\wmdimen{Music:  \hss}Vernon Duke.}{Copyright {\copyright} 1946}{Musical:  {\largebx Sweet Bye and Bye}}{\vbox{\hbox{{\bf Vernon Duke Songbook,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~32.}}}{0}
\B{.5\vsize}{.5\hsize}{Just One More Chance}{\hbox to\wmdimen{Words:  \hss}Sam Coslow.}{\hbox to\wmdimen{Music:  \hss}Arthur Johnston.}{Copyright {\copyright} 1931}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1930s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~166.}}}{0}
\B{.75\vsize}{0pt}{Just One of Those Things}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1935 (Renewed) Warner Bros.~Inc.}{}{{\bf Best of Cole Porter, The}, p.~100.}{0}
\B{.75\vsize}{.5\hsize}{Just You, Just Me}{\hbox to\wmdimen{Words:  \hss}Raymond Klages.}{\hbox to\wmdimen{Music:  \hss}Jesse Greer.}{Copyright {\copyright} 1929}{Film:  {\largebx Marianne}}{}{0}
\eject

\FilecardSection{K}
\A
\B{0pt}{0pt}{Keep Young and Beautiful}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1933}{Film:  {\largebx Roman Scandals}}{\vbox{\hbox{{\bf 100 Years of Popular Music, 30s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~170.}}}{0}
\B{0pt}{.5\hsize}{Keepin' Out of Mischief Now}{\hbox to\wmdimen{Words:  \hss}Andy Razaf.}{\hbox to\wmdimen{Music:  \hss}Thomas ``Fats'' Waller.}{Copyright {\copyright} 1932}{}{{\bf Ain't Misbehavin', Vocal Selections}, p.~85.}{0}
\B{.25\vsize}{0pt}{King Porter Stomp}{\hbox to\wmdimen{Words:  \hss}None.}{\hbox to\wmdimen{Music:  \hss}Ferdinand ``Jelly Roll'' Morton.}{Copyright {\copyright} 1924}{}{}{0}
\vbox to 0pt{\C{.25\vsize}{.5\hsize}{Kiss Me, Kate}{Musical}{1948}{0}
\leftline{\hskip\Chskip\hskip\basichskip So in Love}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Tom, Dick or Harry}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip We Open in Venice}
\vskip12pt
\vss}
\vbox to 0pt{\C{.5\vsize}{0pt}{Knickerbocker Holiday}{Musical}{1938}{0}
\leftline{\hskip\Chskip\hskip\basichskip September Song}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Komm, Zigany}{\hbox to\wmdimen{Words:  \hss}Julius Brammer und Alfred Gr@{u}nwald.}{\hbox to\wmdimen{Music:  \hss}Emmerich K{\'a}lm{\'a}n.}{Copyright {\copyright} 1932}{}{}{0}
\FilecardSection{L}
\B{.75\vsize}{0pt}{L{\`a} ci darem la mano}{\hbox to\wmdimen{Words:  \hss}Lorenzo Da Ponte.}{\hbox to\wmdimen{Music:  \hss}Wolfgang Amadeus Mozart.}{Year:  1787}{Opera:  {\largebx Don Giovanni}}{}{0}
\B{.75\vsize}{.5\hsize}{Lady in Red, The}{\hbox to\wmdimen{Words:  \hss}Mort Dixon.}{\hbox to\wmdimen{Music:  \hss}Allie Wrubel.}{Copyright {\copyright} 1935}{}{}{0}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{Lady in the Dark}{Musical}{1941}{0}
\leftline{\hskip\Chskip\hskip\basichskip Girl of the Moment}
\vskip12pt
\vss}
\B{0pt}{.5\hsize}{Lady is a Tramp, The}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1937}{Musical:  {\largebx Babes in Arms}}{}{0}
\B{.25\vsize}{0pt}{Lady of Spain}{\hbox to\wmdimen{Words:  \hss}Erell Reaves and Henry Tilsley.}{\hbox to\wmdimen{Music:  \hss}Tolchard Evans.}{Copyright {\copyright} 1931}{}{}{0}
\B{.25\vsize}{.5\hsize}{Lady's in Love With You, The}{\hbox to\wmdimen{Words:  \hss}Frank Loesser.}{\hbox to\wmdimen{Music:  \hss}Burton Lane.}{Copyright {\copyright} 1939}{Film:  {\largebx Some Like It Hot}}{}{0}
\B{.5\vsize}{0pt}{Laura}{\hbox to\wmdimen{Words:  \hss}Johnny Mercer.}{\hbox to\wmdimen{Music:  \hss}David Raksin.}{\vtop{\hbox{{\copyright} 1945 EMI Catalogue Partnership}\vskip\copyrightskip\hbox{and EMI Robbins Catalog Inc., USA.}\vskip\copyrightskip\hbox{Worldwide print rights controlled by}\vskip\copyrightskip\hbox{Warner Bros. Publications Inc./IMP Ltd.}}}{Film:  {\largebx Laura}}{}{0}
\B{.5\vsize}{.5\hsize}{Lazy River}{Words and Music:  \vtop{\hbox{Hoagy Carmichael}\vskip\composerskip\hbox{and Sidney Arodin}}}{}{Copyright {\copyright} 1931}{}{{\bf The Hoagy Carmichael Songbook}, p.~60.}{0}
\B{.75\vsize}{0pt}{Let's Call the Whole Thing Off}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{}{Film:  {\largebx Shall We Dance}}{}{0}
\B{.75\vsize}{.5\hsize}{Let's Do It (Let's Fall in Love)}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1928}{Musical:  {\largebx Paris}}{{\bf Best of Cole Porter, The}, p.~104.}{0}
\eject

\A
\B{0pt}{0pt}{Let's Face the Music and Dance}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1936}{Film:  {\largebx Follow the Fleet}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The,}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~64.}}}{0}
\B{0pt}{.5\hsize}{Let's Fall in Love}{\hbox to\wmdimen{Words:  \hss}Ted Koehler.}{\hbox to\wmdimen{Music:  \hss}Harold Arlen.}{Copyright {\copyright} 1933}{}{}{0}
\B{.25\vsize}{0pt}{Lied vom dummen Reiter, Das}{\hbox to\wmdimen{Words:  \hss}Victor L{\'e}on und Leo Stein.}{\hbox to\wmdimen{Music:  \hss}Franz Leh{\'a}r.}{Copyright {\copyright} 1905}{Operetta:  {\largebx Lustige Witwe, Die}}{}{0}
\B{.25\vsize}{.5\hsize}{Lippen schweigen}{\hbox to\wmdimen{Words:  \hss}Victor L{\'e}on und Leo Stein.}{\hbox to\wmdimen{Music:  \hss}Franz Leh{\'a}r.}{Copyright {\copyright} 1905}{Operetta:  {\largebx Lustige Witwe, Die}}{}{0}
\B{.5\vsize}{0pt}{Lisboa Antiga}{\hbox to\wmdimen{Words:  \hss}Jos{\'e} Galhardo.}{\hbox to\wmdimen{Music:  \hss}Raul Portela and Amadeu do Vale.}{Copyright {\copyright} 1937}{}{}{0}
\B{.5\vsize}{.5\hsize}{Listen to My Song (Johnny's Song)}{\hbox to\wmdimen{Words:  \hss}Paul Green.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1936}{Musical:  {\largebx Johnny Johnson}}{{\bf Kurt Weill, From Berlin to Broadway}, p.~48.}{0}
\B{.75\vsize}{0pt}{Little Bird, Little Bird}{\hbox to\wmdimen{Words:  \hss}Joe Darion.}{\hbox to\wmdimen{Music:  \hss}Mitch Leigh.}{Copyright {\copyright} 1965}{Musical:  {\largebx Man of La Mancha}}{{\bf Man of La Mancha, Vocal Selections}, p.~12.}{0}
\B{.75\vsize}{.5\hsize}{Little Bit in Love, A}{\hbox to\wmdimen{Words:  \hss}Betty Comden and Adolf Green.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1953}{Musical:  {\largebx Wonderful Town}}{{\bf Bernstein on Broadway}, p.~92.}{0}
\eject

\A
\B{0pt}{0pt}{Little Tin Box}{\hbox to\wmdimen{Words:  \hss}Sheldon Harnick.}{\hbox to\wmdimen{Music:  \hss}Jerry Bock.}{Copyright {\copyright} 1959}{Musical:  {\largebx Fiorello!}}{{\bf Fiorello!  Vocal Selections}, p.~22.}{0}
\B{0pt}{.5\hsize}{Little White Lies}{Words and Music:  Walter Donaldson}{}{Copyright {\copyright} 1930}{}{}{0}
\B{.25\vsize}{0pt}{Liza (All the Clouds'll Roll Away)}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin and Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1929}{}{}{0}
\B{.25\vsize}{.5\hsize}{Lob des hohen Verstandes}{\hbox to\wmdimen{Words:  \hss}Anonymous, Gustav Mahler.}{\hbox to\wmdimen{Music:  \hss}Gustav Mahler.}{Copyright {\copyright} 1914}{\vtop{\hbox{Song Cycle:}\vskip\titleskip\hbox{{\largebx 14 Lieder aus Des Knaben Wunderhorn}}}}{\vbox{\hbox{{\bf 14 Lieder aus Des Knaben Wunderhorn}}\vskip\sourceskip\hbox{{\bf f@{u}r tiefe Stimme und Klavier}, p.~61.}}}{0}
\B{.5\vsize}{0pt}{Long Ago (and Far Away)}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{}{Film:  {\largebx Cover Girl}}{}{0}
\B{.5\vsize}{.5\hsize}{Lost in the Stars}{\hbox to\wmdimen{Words:  \hss}Maxwell Anderson.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1949}{Musical:  {\largebx Lost in the Stars}}{}{0}
\B{.75\vsize}{0pt}{Love for Sale}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1930}{Musical:  {\largebx New Yorkers, The}}{{\bf Best of Cole Porter, The}, p.~112.}{0}
\B{.75\vsize}{.5\hsize}{Love Letters in the Sand}{\hbox to\wmdimen{Words:  \hss}Nick Kenny and Charles Kenny.}{\hbox to\wmdimen{Music:  \hss}J.~Fred Coots.}{Copyright {\copyright} 1931}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 30s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~196.}}}{0}
\eject

\A
\B{0pt}{0pt}{Love Me or Leave Me}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Walter Donaldson.}{Copyright {\copyright} 1928}{}{}{0}
\B{0pt}{.5\hsize}{Lover Come Back to Me}{\hbox to\wmdimen{Words:  \hss}Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Sigmund Romberg.}{\vbox{\hbox{Copyright {\copyright} 1928 Warner Bros.~Inc.}\vskip\copyrightskip\hbox{Copyright Renewed}}}{Operetta:  {\largebx New Moon, The}}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1920s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~152.}}}{0}
\B{.25\vsize}{0pt}{Lucky to Be Me}{\hbox to\wmdimen{Words:  \hss}Betty Comden and Adolf Green.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1944}{Musical:  {\largebx On the Town}}{{\bf Bernstein on Broadway}, p.~48.}{0}
\B{.25\vsize}{.5\hsize}{Lulu's Back in Town}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{}{}{}{0}
\vbox to 0pt{\C{.5\vsize}{0pt}{Lustige Witwe, Die}{Operetta}{1905}{0}
\leftline{\hskip\Chskip\hskip\basichskip Da geh ich zu Maxim}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Lied vom dummen Reiter, Das}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Lippen schweigen}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Lydia, the Tattooed Lady}{\hbox to\wmdimen{Words:  \hss}E.Y.~Harburg.}{\hbox to\wmdimen{Music:  \hss}Harold Arlen.}{Copyright {\copyright} 1939 (Renewed)}{Film:  {\largebx At the Circus}}{Single edition}{0}
\FilecardSection{M}
\B{.75\vsize}{0pt}{Mad About the Boy}{Words and Music:  No@{e}l Coward}{}{{\copyright} 1932, 1935 (Renewed).}{Revue:  {\largebx Words and Music}}{{\bf Sir No@{e}l Coward, His Words and Music}, p.~50.}{0}
\B{.75\vsize}{.5\hsize}{Mademoiselle de Paris}{\hbox to\wmdimen{Words:  \hss}Henri Contet.}{\hbox to\wmdimen{Music:  \hss}Paul Durand.}{Copyright {\copyright} 1948}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1940s,}}\vskip\sourceskip\hbox{{\bf Part Two}, p.~173.}}}{0}
\eject

\A
\B{0pt}{0pt}{Make Believe}{\hbox to\wmdimen{Words:  \hss}Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{Copyright {\copyright} 1927}{Musical:  {\largebx Showboat}}{}{0}
\B{0pt}{.5\hsize}{Makin' Whoopee!}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Walter Donaldson.}{Copyright {\copyright} 1928}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1920s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~160}}}{0}
\B{.25\vsize}{0pt}{Mambo {\#}5}{Words and Music:  D{\'a}maso P{\'e}rez Prado}{}{Copyright {\copyright} 1948}{}{}{0}
\B{.25\vsize}{.5\hsize}{Man I Love, The}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1924}{}{{\bf Best of George Gershwin, The}, p.~74.}{0}
\vbox to 0pt{\C{.5\vsize}{0pt}{Man of La Mancha}{Musical}{1965}{0}
\leftline{\hskip\Chskip\hskip\basichskip Impossible Dream, The (The Quest)}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Little Bird, Little Bird}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Manh{\~a} da Carnaval}{\hbox to\wmdimen{Words:  \hss}Ant{\^o}nio Maria.}{\hbox to\wmdimen{Music:  \hss}Luiz Bonf{\'a}.}{Copyright {\copyright} 1959}{Film:  {\largebx Orfeu Negro}}{}{0}
\B{.75\vsize}{0pt}{Manhattan}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{\vtop{\hbox{Copyright {\copyright} 1925}\vskip\copyrightskip\hbox{by Edward B.~Marks Music Company.}\vskip\copyrightskip\hbox{Copyright Renewed}}}{Musical:  {\largebx Garrick Gaities}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~106.}}}{0}
\B{.75\vsize}{.5\hsize}{Many a New Day}{\hbox to\wmdimen{Words:  \hss}Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1943}{Musical:  {\largebx Oklahoma!}}{}{0}
\eject

\A
\B{0pt}{0pt}{Mein Gorilla hat 'ne Villa im Zoo}{\hbox to\wmdimen{Words:  \hss}Peter Kuckuck.}{\hbox to\wmdimen{Music:  \hss}Walter Jurmann and Bronislaw Kaper.}{Copyright {\copyright} 1933}{Film:  {\largebx Heut kommt's drauf an}}{\vbox{\hbox{{\bf Walter Jurmann.}}\vskip\sourceskip\hbox{{\bf Alle Welt singt seine Lieder}, p.~43.}}}{0}
\B{0pt}{.5\hsize}{Mein Herr Marquis}{\hbox to\wmdimen{Words:  \hss}Karl Haffner, Richard Gen{\'e}e.}{\hbox to\wmdimen{Music:  \hss}Johann Strau{\ss} (Sohn).}{Year:  1874}{Operetta:  {\largebx Fledermaus, Die}}{}{0}
\B{.25\vsize}{0pt}{Memories of You}{\hbox to\wmdimen{Words:  \hss}Andy Razaf.}{\hbox to\wmdimen{Music:  \hss}Eubie Blake.}{Copyright {\copyright} 1930}{Musical:  {\largebx Blackbirds of 1930}}{\vbox{\hbox{{\bf 100 Years of Popular Music, 30s }}\vskip\sourceskip\hbox{{\bf-- Volume 1}, p.~204.}}}{0}
\B{.25\vsize}{.5\hsize}{Message From the Man in the Moon, A}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Walter Jurmann and Bronislaw Kaper.}{}{Film:  {\largebx Day at the Races, A}}{}{0}
\vbox to 0pt{\C{.5\vsize}{0pt}{Mikado, The}{Operetta}{1885}{0}
\leftline{\hskip\Chskip\hskip\basichskip On a Tree By a Willow}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Sun Whose Rays, The}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Three Little Maids from School}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Wand'ring Minstrel I, A}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Miss Brown to You}{Words and Music:  Leo Robin and Ralph Rainger}{}{Copyright {\copyright} 1935}{}{Single Edition.}{0}
\B{.75\vsize}{0pt}{Mister Sandman}{Words and Music:  Pat Ballard}{}{Copyright {\copyright} 1954}{}{}{0}
\B{.75\vsize}{.5\hsize}{Misty}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Errol Garner.}{}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Mon Ami, My Friend}{\hbox to\wmdimen{Words:  \hss}Paul Green.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1936}{Musical:  {\largebx Johnny Johnson}}{{\bf Kurt Weill, From Berlin to Broadway}, p.~52.}{0}
\B{0pt}{.5\hsize}{Moon River}{\hbox to\wmdimen{Words:  \hss}Johnny Mercer.}{\hbox to\wmdimen{Music:  \hss}Henry Mancini.}{\vtop{\hbox{Copyright {\copyright} 1961}\vskip\copyrightskip\hbox{(Renewed 1989) by Famous Music Corporation,}\vskip\copyrightskip\hbox{New York, N.Y.}}}{Film:  {\largebx Breakfast at Tiffany's}}{\vbox{\hbox{{\bf Too Marvelous For Words.}}\vskip\sourceskip\hbox{{\bf The Magic of Johnny Mercer}, p.~180.}}}{0}
\B{.25\vsize}{0pt}{Moon-Faced, Starry-Eyed}{\hbox to\wmdimen{Words:  \hss}Langston Hughes.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1946}{Musical:  {\largebx Street Scene}}{{\bf Kurt Weill, Broadway {\&} Hollywood}, p.~108.}{0}
\B{.25\vsize}{.5\hsize}{Moonglow}{\hbox to\wmdimen{Words:  \hss}Eddie DeLange.}{\hbox to\wmdimen{Music:  \hss}Will Hudson and Irving Mills.}{Copyright {\copyright} 1934 Mills Music}{}{}{0}
\B{.5\vsize}{0pt}{Moonlight Bay}{\hbox to\wmdimen{Words:  \hss}Edward Madden.}{\hbox to\wmdimen{Music:  \hss}Percy Wenrich.}{Copyright {\copyright} 1912}{}{{\bf 100 Years of Popular Music, 1900s}}{0}
\B{.5\vsize}{.5\hsize}{Moonlight Becomes You}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Jimmy van Heusen.}{Copyright {\copyright} 1942}{Film:  {\largebx Road to Morocco}}{}{0}
\B{.75\vsize}{0pt}{Moonlight Serenade}{\hbox to\wmdimen{Words:  \hss}Mitchell Parish.}{\hbox to\wmdimen{Music:  \hss}Glenn Miller.}{}{}{}{0}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{More}{}{}{}{}{0}
\leftline{\hskip\Chskip\hskip\basichskip {\large See {\largebx Ti Guarder{\`e}ro Nel Cuore (More)}}}
\vss}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{Most Happy Fella, The}{Musical}{1956}{0}
\leftline{\hskip\Chskip\hskip\basichskip Standing on the Corner}
\vskip12pt
\vss}
\B{0pt}{.5\hsize}{Mr.~Lucky}{\hbox to\wmdimen{Words:  \hss}Jay Livingston and Ray Evans.}{\hbox to\wmdimen{Music:  \hss}Henry Mancini.}{Copyright {\copyright} 1960}{}{}{0}
\B{.25\vsize}{0pt}{Music Goes 'Round and Around, The}{\hbox to\wmdimen{Words:  \hss}Red Hodgson.}{\hbox to\wmdimen{Music:  \hss}Edward Farley and Michael Riley.}{Copyright {\copyright} 1935 (Renewed).}{}{{\bf Big Book of Big Band Hits, The}, p.~175.}{0}
\B{.25\vsize}{.5\hsize}{My Baby Just Cares for Me}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Walter Donaldson.}{Copyright {\copyright} 1930}{}{}{0}
\B{.5\vsize}{0pt}{My Blue Heaven}{\hbox to\wmdimen{Words:  \hss}George A.~Whiting.}{\hbox to\wmdimen{Music:  \hss}Walter Donaldson.}{Copyright {\copyright} 1927}{Revue:  {\largebx Ziegfeld Follies 1927}}{}{0}
\vbox to 0pt{\C{.5\vsize}{.5\hsize}{My Fair Lady}{Musical}{1956}{0}
\leftline{\hskip\Chskip\hskip\basichskip On the Street Where You Live}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Wouldn't It Be Loverly?}
\vskip12pt
\vss}
\B{.75\vsize}{0pt}{My First Impression Of You}{Words and Music:  Sam H.~Stept and Charles Tobias}{}{Copyright {\copyright} 1937}{}{}{0}
\B{.75\vsize}{.5\hsize}{My Grandfather's Clock}{Words and Music:  Henry Clay Work}{}{Year:  1876}{}{}{0}
\eject

\A
\B{0pt}{0pt}{My Grandfather''s Clock}{Words and Music:  Henry Clay Work}{}{Year:  1876}{}{}{0}
\B{0pt}{.5\hsize}{My Heart Belongs to Daddy}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1938}{Musical:  {\largebx  Leave It to Me!}}{{\bf Best of Cole Porter, The}, p.~116.}{0}
\B{.25\vsize}{0pt}{My Heart Stood Still}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1927}{Musical:  {\largebx Connecticut Yankee, A}}{}{0}
\B{.25\vsize}{.5\hsize}{My Melancholy Baby}{\hbox to\wmdimen{Words:  \hss}George A. Norton.}{\hbox to\wmdimen{Music:  \hss}Ernie Burnett.}{Copyright {\copyright} 1912}{}{}{0}
\B{.5\vsize}{0pt}{My Old Flame}{\hbox to\wmdimen{Words:  \hss}Sam Coslow.}{\hbox to\wmdimen{Music:  \hss}Arthur Johnston.}{\vbox{\hbox{Copyright {\copyright} 1934 (Renewed 1961)}\vskip\copyrightskip\hbox{by Famous Music Corporation}}}{Film:  {\largebx Belle of the Nineties}}{{\bf Big Book of Standards}, p.~212.}{0}
\B{.5\vsize}{.5\hsize}{My Very Good Friend the Milkman}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Harold Spina.}{Copyright {\copyright} 1935}{}{Single edition}{0}
\FilecardSection{N}
\B{.75\vsize}{0pt}{Nancy with the Laughing Face}{\hbox to\wmdimen{Words:  \hss}Phil Silvers.}{\hbox to\wmdimen{Music:  \hss}Jimmy van Heusen.}{}{}{}{0}
\B{.75\vsize}{.5\hsize}{Nearness of You, The}{\hbox to\wmdimen{Words:  \hss}Ned Washington.}{\hbox to\wmdimen{Music:  \hss}Hoagy Carmichael.}{\vtop{\hbox{Copyright {\copyright} 1937, 1940 (Renewed 1964, 1967)}\vskip\copyrightskip\hbox{by Famous Music Corporation}}}{}{{\bf The Hoagy Carmichael Songbook}, p.~84.}{0}
\eject

\A
\B{0pt}{0pt}{Nel blu dipinto di blu (Volare)}{\hbox to\wmdimen{Words:  \hss}Domenico Modugno and Franco Migliacci.}{\hbox to\wmdimen{Music:  \hss}Domenico Modugno.}{Copyright {\copyright} 1958}{}{Single edition.}{0}
\B{0pt}{.5\hsize}{Nevertheless (I'm In Love With You)}{\hbox to\wmdimen{Words:  \hss}Bert Kalmar.}{\hbox to\wmdimen{Music:  \hss}Harry Ruby.}{Copyright {\copyright} 1931 DeSylva, Brown and Henderson}{}{}{0}
\B{.25\vsize}{0pt}{Night and Day}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1932 Warner Bros.~Inc.~(Renewed)}{}{{\bf Best of Cole Porter, The}, p.~120.}{0}
\B{.25\vsize}{.5\hsize}{No Strings (I'm Fancy Free)}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1935}{Film:  {\largebx Top Hat}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The,}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~78.}}}{0}
\B{.5\vsize}{0pt}{Nobody's Sweetheart}{\hbox to\wmdimen{Words:  \hss}Gus Kahn and Ernest Erdman.}{\hbox to\wmdimen{Music:  \hss}Billy Meyers and Elmer Schoebel.}{Copyright {\copyright} 1924}{}{}{0}
\FilecardSection{O}
\B{.5\vsize}{.5\hsize}{O Nosso Amor (Carnival Samba)}{Words and Music:  Antonio Carlos Jobim}{}{Copyright {\copyright} 1959, 1964 (Renewed)}{Film:  {\largebx Orfeu Negro}}{\vbox{\hbox{{\bf Definitive Antonio Carlos Jobim}}\vskip\sourceskip\hbox{{\bf Collection, The}, p.~121.}}}{0}
\B{.75\vsize}{0pt}{Oh! You Crazy Moon}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Jimmy van Heusen.}{Copyright {\copyright} 1939}{}{\vbox{\hbox{{\bf Classic Songs of Johnny Burke,}}\vskip\sourceskip\hbox{{\bf Hollywood's Songwriter,} p.~59.}}}{0}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{Oklahoma!}{Musical}{1943}{0}
\leftline{\hskip\Chskip\hskip\basichskip Many a New Day}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip People Will Say We're in Love}
\vskip12pt
\vss}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{Oliver!}{Musical}{1959}{0}
\leftline{\hskip\Chskip\hskip\basichskip Consider Yourself}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Food, Glorious Food}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip I'd Do Anything}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Where is Love?}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Who Will Buy?}
\vskip12pt
\vss}
\B{0pt}{.5\hsize}{On a Clear Day}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Burton Lane.}{}{}{}{0}
\B{.25\vsize}{0pt}{On a Slow Boat to China}{Words and Music:  Frank Loesser}{}{}{}{}{0}
\B{.25\vsize}{.5\hsize}{On a Tree By a Willow}{\hbox to\wmdimen{Words:  \hss}W.S.~Gilbert.}{\hbox to\wmdimen{Music:  \hss}Arthur Sullivan.}{Year:  1885}{Operetta:  {\largebx Mikado, The}}{IMSLP}{0}
\B{.5\vsize}{0pt}{On Green Dolphin Street}{\hbox to\wmdimen{Words:  \hss}Ned Washington.}{\hbox to\wmdimen{Music:  \hss}Bronislau Kaper.}{Copyright {\copyright} 1947}{Film:  {\largebx Green Dolphin Street}}{\vbox{\hbox{{\bf 100 Years of Popular Music,}}\vskip\sourceskip\hbox{{\bf 1940s, Part Two}, p.~186.}}}{0}
\B{.5\vsize}{.5\hsize}{On the Street Where You Live}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{Copyright {\copyright} 1956}{Musical:  {\largebx My Fair Lady}}{}{0}
\B{.75\vsize}{0pt}{On the Sunny Side of the Street}{\hbox to\wmdimen{Words:  \hss}Dorothy Fields.}{\hbox to\wmdimen{Music:  \hss}Jimmy McHugh.}{Copyright {\copyright} 1930}{}{}{0}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{On the Town}{Musical}{1944}{0}
\leftline{\hskip\Chskip\hskip\basichskip I Can Cook Too}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Lucky to Be Me}
\vskip12pt
\vss}
\eject

\A
\B{0pt}{0pt}{Once in Love with Amy}{Words and Music:  Frank Loesser}{}{Copyright {\copyright} 1948 (Renewed) Frank Music Corp.}{Musical:  {\largebx Where's Charlie?}}{Frank Loesser Songbook, The, p.~175}{0}
\B{0pt}{.5\hsize}{One}{\hbox to\wmdimen{Words:  \hss}Edward Kleban.}{\hbox to\wmdimen{Music:  \hss}Marvin Hamlisch.}{Copyright {\copyright} 1975}{Musical:  {\largebx Chorus Line, A}}{{\bf Marvin Hamlisch Songbook}, p.~14.}{0}
\B{.25\vsize}{0pt}{\vbox{\hbox{One I Love Belongs to Somebody}\vskip\titleskip\hbox{Else, The}}}{\hbox to\wmdimen{Words:  \hss}Gus Kahn.}{\hbox to\wmdimen{Music:  \hss}Isham Jones.}{Copyright {\copyright} 1924}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 20s,}}\vskip\sourceskip\hbox{{\bf Volume 2}, p.~212.}}}{0}
\vbox to 0pt{\C{.25\vsize}{.5\hsize}{One Touch of Venus}{Musical}{1943}{0}
\leftline{\hskip\Chskip\hskip\basichskip Speak Low}
\vskip12pt
\vss}
\vbox to 0pt{\C{.5\vsize}{0pt}{Orfeu Negro}{Film}{1959}{0}
\leftline{\hskip\Chskip\hskip\basichskip Felicidade, A}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Manh{\~a} da Carnaval}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip O Nosso Amor (Carnival Samba)}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Samba de Orfeu}
\vskip12pt
\vss}
\B{.5\vsize}{.5\hsize}{Out of Nowhere}{\hbox to\wmdimen{Words:  \hss}Edward Heyman.}{\hbox to\wmdimen{Music:  \hss}John W.~Green.}{}{}{}{0}
\B{.75\vsize}{0pt}{Over the Rainbow}{\hbox to\wmdimen{Words:  \hss}E.Y.~Harburg.}{\hbox to\wmdimen{Music:  \hss}Harold Arlen.}{Copyright {\copyright} 1938, 1939 (Renewed)}{Film:  {\largebx Wizard of Oz, The}}{{\bf The Harold Arlen Songbook}, p.~112}{0}
\FilecardSection{P}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{Paint Your Wagon}{Musical}{1951}{0}
\leftline{\hskip\Chskip\hskip\basichskip I Talk to the Trees}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip They Call the Wind Maria}
\vskip12pt
\vss}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{Pajama Game, The}{Musical}{1954}{0}
\leftline{\hskip\Chskip\hskip\basichskip Hey There}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip I'm Not At All In Love}
\vskip12pt
\vss}
\B{0pt}{.5\hsize}{Paloma, La}{Words and Music:  Sebastian Yradier}{}{Copyright {\copyright} 1879}{}{Single edition, Schott.}{0}
\B{.25\vsize}{0pt}{Paper Doll}{Words and Music:  Johnny S.~Black}{}{Copyright {\copyright} 1915}{}{\vbox{\hbox{{\bf 100 Years of Popular Music 1940s,}}\vskip\sourceskip\hbox{{\bf Part One}, p.~178.}}}{0}
\B{.25\vsize}{.5\hsize}{Para Vigo me voy (Say ``Si, Si'')}{\hbox to\wmdimen{Words:  \hss}Francia Luban.}{\hbox to\wmdimen{Music:  \hss}Ernesto Lecuona.}{Copyright {\copyright} 1935}{}{}{0}
\B{.5\vsize}{0pt}{Paris in New York}{Words and Music:  Vernon Duke}{}{Copyright {\copyright} 1965}{}{\vbox{\hbox{{\bf Vernon Duke Songbook,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~50.}}}{0}
\B{.5\vsize}{.5\hsize}{Parisian Pierrot}{Words and Music:  No@{e}l Coward}{}{Copyright {\copyright} 1923}{Revue:  {\largebx London Calling!}}{}{0}
\B{.75\vsize}{0pt}{Party's Over, The}{\hbox to\wmdimen{Words:  \hss}Betty Comden and Adolf Green.}{\hbox to\wmdimen{Music:  \hss}Jule Styne.}{Copyright {\copyright} 1956}{Musical:  {\largebx Bells are Ringing}}{{\bf The Comden and Green Songbook}, p.~127.}{0}
\B{.75\vsize}{.5\hsize}{Pennies from Heaven}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Arthur Johnston.}{Copyright {\copyright} 1936}{}{}{0}
\eject

\A
\B{0pt}{0pt}{People Will Say We're in Love}{\hbox to\wmdimen{Words:  \hss}Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1943}{Musical:  {\largebx Oklahoma!}}{}{0}
\B{0pt}{.5\hsize}{Perdido}{\hbox to\wmdimen{Words:  \hss}Harry Lenk and Ervin Drake.}{\hbox to\wmdimen{Music:  \hss}Juan Tizol.}{Copyright {\copyright} 1942, 1944 (Renewed)}{}{{\bf Duke Ellington Anthology}, p.~149.}{0}
\B{.25\vsize}{0pt}{Perfidia}{Words and Music:  Alberto Dom{\'\i}nguez Borr{\'a}s}{}{Copyright {\copyright} 1939}{}{}{0}
\B{.25\vsize}{.5\hsize}{Piccolino, The}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1935}{Film:  {\largebx Top Hat}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The,}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~71.}}}{0}
\B{.5\vsize}{0pt}{Pick Yourself Up}{\hbox to\wmdimen{Words:  \hss}Dorothy Fields.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{Copyright {\copyright} 1936}{Film:  {\largebx Swing Time}}{}{0}
\B{.5\vsize}{.5\hsize}{\vbox{\hbox{Polowetzer T@{a}nze}\vskip\titleskip\hbox{(``Stranger in Paradise'')}}}{Words and Music:  Alexander Borodin}{}{Year:  1890}{Opera:  {\largebx Prince Igor ({\largecybx kNQZX iGORX})}}{}{0}
\B{.75\vsize}{0pt}{Por Una Cabeza}{\hbox to\wmdimen{Words:  \hss}Alfredo Le Pera.}{\hbox to\wmdimen{Music:  \hss}Carlos Gardel.}{Copyright {\copyright} 1935}{}{{\bf Carlos Gardel, Tangos ${\rm V}^{\rm o}$ II}, p.~32.}{0}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{Porgy and Bess}{Opera}{1935}{0}
\leftline{\hskip\Chskip\hskip\basichskip I Got Plenty o' Nuttin'}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip \vtop{\hbox{There's a Boat That's Leavin'}\vskip-.2\baselineskip\hbox{Soon for New York}\vskip.375\baselineskip}}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Woman is a Sometime Thing, A}
\vskip12pt
\vss}
\eject

\A
\B{0pt}{0pt}{Prelude to a Kiss}{\hbox to\wmdimen{Words:  \hss}Irving Gordon and Irving Mills.}{\hbox to\wmdimen{Music:  \hss}Duke Ellington.}{Copyright {\copyright} 1938}{}{}{0}
\B{0pt}{.5\hsize}{Pretty A Girl is Like a Melody, A}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1919}{}{}{0}
\vbox to 0pt{\C{.25\vsize}{0pt}{Prince Igor ({\Largecybx kNQZX iGORX})}{Opera}{1890}{0}
\leftline{\hskip\Chskip\hskip\basichskip Polowetzer T@{a}nze (``Stranger in Paradise'')}
\vskip12pt
\vss}
\B{.25\vsize}{.5\hsize}{Prisoner of Love}{\hbox to\wmdimen{Words:  \hss}Leo Robin.}{\hbox to\wmdimen{Music:  \hss}Russ Columbo and Clarence Gaskill.}{Copyright {\copyright} 1931}{}{}{0}
\B{.5\vsize}{0pt}{Put on a Happy Face}{\hbox to\wmdimen{Words:  \hss}Lee Adams.}{\hbox to\wmdimen{Music:  \hss}Charles Strouse.}{Copyright {\copyright} 1960}{}{}{0}
\B{.5\vsize}{.5\hsize}{Puttin' On the Ritz}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1929}{}{{\bf Irving Berlin Songs}, p.~22.}{0}
\FilecardSection{Q}
\B{.75\vsize}{0pt}{Quiz{\'a}s, Quiz{\'a}s, Quiz{\'a}s}{Words and Music:  Osvaldo Farr{\'e}s}{}{Copyright {\copyright} 1947}{}{}{0}
\FilecardSection{R}
\B{.75\vsize}{.5\hsize}{Rainy Days and Mondays}{\hbox to\wmdimen{Words:  \hss}Paul Williams.}{\hbox to\wmdimen{Music:  \hss}Roger Nichols.}{Copyright {\copyright} 1970}{}{{\bf Carpenters, Greatest Hits}, p.~8.}{0}
\eject

\A
\B{0pt}{0pt}{Rainy Night in Rio, A}{\hbox to\wmdimen{Words:  \hss}Leo Robin.}{\hbox to\wmdimen{Music:  \hss}Arthur Schwartz.}{Copyright {\copyright} 1946 (Renewed) WB Music Corp.}{}{{\bf The Looney Tunes Songbook}, p.~81}{0}
\B{0pt}{.5\hsize}{Red Sails in the Sunset}{\hbox to\wmdimen{Words:  \hss}Jimmy Kennedy.}{\hbox to\wmdimen{Music:  \hss}Hugh Williams.}{Copyright {\copyright} 1935}{}{}{0}
\B{.25\vsize}{0pt}{Remember Me}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1937}{}{Single edition}{0}
\B{.25\vsize}{.5\hsize}{Rheinlegendchen}{\hbox to\wmdimen{Words:  \hss}Anonymous, Gustav Mahler.}{\hbox to\wmdimen{Music:  \hss}Gustav Mahler.}{Copyright {\copyright} 1914}{\vtop{\hbox{Song Cycle:}\vskip\titleskip\hbox{{\largebx 14 Lieder aus Des Knaben Wunderhorn}}}}{\vbox{\hbox{{\bf 14 Lieder aus Des Knaben Wunderhorn}}\vskip\sourceskip\hbox{{\bf f@{u}r tiefe Stimme und Klavier}, p.~41.}}}{0}
\B{.5\vsize}{0pt}{\vbox{\hbox{Rock-a-Bye Your Baby}\vskip\titleskip\hbox{(With a Dixie Melody)}}}{\hbox to\wmdimen{Words:  \hss}Sam M.~Lewis and Joe Young.}{\hbox to\wmdimen{Music:  \hss}Jean Schwarz.}{Copyright {\copyright} 1918}{}{}{0}
\B{.5\vsize}{.5\hsize}{Room With a View, A}{Words and Music:  No@{e}l Coward}{}{}{}{}{0}
\B{.75\vsize}{0pt}{Rote Sarafan, Der ({\Largecy kRASN{\char'131}{\char'112} sARAFAN{\char'137}})}{\hbox to\wmdimen{Words:  \hss}Unknown.}{\hbox to\wmdimen{Music:  \hss}Alexander Jegorowitsch Warlamoff.}{Public Domain.}{}{{\bf Das Lied der V@{o}lker, Russische Lieder}, p.~26.}{0}
\B{.75\vsize}{.5\hsize}{'Round Midnight}{Words and Music:  \vtop{\hbox{Cootie Williams and}\vskip\composerskip\hbox{Thelonius Monk}}}{}{Copyright {\copyright} 1944}{}{\vbox{\hbox{{\bf 100 Years of Popular Music 1940s,}}\vskip\sourceskip\hbox{{\bf Part Two}, p.~213.}}}{0}
\eject

\A
\B{0pt}{0pt}{Ruby My Dear}{\hbox to\wmdimen{Words:  \hss}None.}{\hbox to\wmdimen{Music:  \hss}Thelonius Monk.}{Copyright {\copyright} 1945}{}{{\bf Library of Jazz Standards, The}, p.~76.}{0}
\FilecardSection{S}
\B{0pt}{.5\hsize}{'S Wonderful}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1927}{}{}{0}
\B{.25\vsize}{0pt}{Samba de Orfeu}{\hbox to\wmdimen{Words:  \hss}Ant{\^o}nio Maria.}{\hbox to\wmdimen{Music:  \hss}Luiz Bonf{\'a}.}{Copyright {\copyright} 1959}{Film:  {\largebx Orfeu Negro}}{}{0}
\B{.25\vsize}{.5\hsize}{Samba de Uma Nota So}{\hbox to\wmdimen{Words:  \hss}Newton Mendon{\c c}a.}{\hbox to\wmdimen{Music:  \hss}Antonio Carlos Jobim.}{Copyright {\copyright} 1961}{}{}{0}
\B{.5\vsize}{0pt}{Samba do Avi{\~a}o}{Words and Music:  Antonio Carlos Jobim}{}{Copyright {\copyright} 1962}{}{}{0}
\B{.5\vsize}{.5\hsize}{Scatter-Brain}{\hbox to\wmdimen{Words:  \hss}Johnny Burke.}{\hbox to\wmdimen{Music:  \hss}Keene-Bean and Frankie Masters.}{Copyright {\copyright} 1939}{}{\vbox{\hbox{{\bf Classic Songs of Johnny Burke,}}\vskip\sourceskip\hbox{{\bf Hollywood's Songwriter,} p.~84.}}}{0}
\B{.75\vsize}{0pt}{Sch@{o}ner Gigolo, armer Gigolo}{\hbox to\wmdimen{Words:  \hss}Julius Brammer.}{\hbox to\wmdimen{Music:  \hss}Leonello Casucci.}{Copyright {\copyright} 1929}{}{{\bf Golden Evergreens, Band II}, p.~10.}{0}
\B{.75\vsize}{.5\hsize}{Se Todos Fossem Iguais a Voc{\^e}}{\hbox to\wmdimen{Words:  \hss}Vin{\'\i}cius de Moraes.}{\hbox to\wmdimen{Music:  \hss}Antonio Carlos Jobim.}{Copyright {\copyright} 1958}{}{{\bf Music of Antonio Carlos Jobim, The}, p.~18.}{0}
\eject

\A
\B{0pt}{0pt}{September in the Rain}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1937}{Film:  {\largebx Melody for Two}}{}{0}
\B{0pt}{.5\hsize}{September Song}{\hbox to\wmdimen{Words:  \hss}Maxwell Anderson.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1938}{Musical:  {\largebx Knickerbocker Holiday}}{{\bf Kurt Weill, From Berlin to Broadway}, p.~40.}{0}
\B{.25\vsize}{0pt}{Shadow of Your Smile, The}{\hbox to\wmdimen{Words:  \hss}Paul Francis Webster.}{\hbox to\wmdimen{Music:  \hss}Johnny Mandel.}{Copyright {\copyright} 1965}{Film:  {\largebx Sandpiper, The}}{{\bf Johnny Mandel Songbook, The}, p.~6.}{0}
\B{.25\vsize}{.5\hsize}{She's Funny That Way}{\hbox to\wmdimen{Words:  \hss}Richard A.~Whiting.}{\hbox to\wmdimen{Music:  \hss}Neil Moret.}{Copyright {\copyright} 1928}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 20s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~222.}}}{0}
\B{.5\vsize}{0pt}{Shine On Harvest Moon}{\hbox to\wmdimen{Words:  \hss}Jack Norworth.}{\hbox to\wmdimen{Music:  \hss}Nora Bayes.}{Copyright {\copyright} 1908}{Revue:  {\largebx Ziegfeld Follies (1908)}}{{\bf 100 Years of Popular Music, 1900}, p.~328.}{0}
\vbox to 0pt{\C{.5\vsize}{.5\hsize}{Showboat}{Musical}{1927}{0}
\leftline{\hskip\Chskip\hskip\basichskip Bill}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Make Believe}
\vskip12pt
\vss}
\B{.75\vsize}{0pt}{Shuffle Off to Buffalo}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1933}{Film:  {\largebx 42nd Street}}{\vbox{\hbox{{\bf 42nd Street, All the Vocal Selections}}\vskip\sourceskip\hbox{{\bf from 42nd Street}, p.~58.}}}{0}
\B{.75\vsize}{.5\hsize}{Siboney}{Words and Music:  Ernesto Lecuona}{}{}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Siempre en mi Coraz{\'o}n}{Words and Music:  Ernesto Lecuona}{}{}{}{}{0}
\B{0pt}{.5\hsize}{Skylark}{\hbox to\wmdimen{Words:  \hss}Johnny Mercer.}{\hbox to\wmdimen{Music:  \hss}Hoagy Carmichael.}{Copyright {\copyright} 1941}{}{\vbox{\hbox{{\bf Too Marvelous For Words.}}\vskip\sourceskip\hbox{{\bf The Magic of Johnny Mercer}, p.~93.}}}{0}
\B{.25\vsize}{0pt}{Sleepwalk}{Words and Music:  \vtop{\hbox{Santo Farina, John Farina}\vskip\composerskip\hbox{and Ann Farina}}}{}{Copyright {\copyright} 1959}{}{\vbox{\hbox{{\bf More of the 1950s.}}\vskip\sourceskip\hbox{{\bf Hal Leonard Essential Songs}, p.~304}}}{0}
\B{.25\vsize}{.5\hsize}{Sleigh Ride}{\hbox to\wmdimen{Words:  \hss}Mitchell Parish.}{\hbox to\wmdimen{Music:  \hss}Leroy Anderson.}{\vbox{\hbox{Copyright {\copyright} 1948, 1950 (Renewed)}\vskip\copyrightskip\hbox{Woodbury Music Company and}\vskip\copyrightskip\hbox{EMI Mills Music, Inc.}}}{}{Sheet Music Direct}{0}
\B{.5\vsize}{0pt}{Smoke Gets in Your Eyes}{\hbox to\wmdimen{Words:  \hss}Otto Harbach.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{Copyright {\copyright} 1933}{Musical:  {\largebx Roberta}}{}{0}
\B{.5\vsize}{.5\hsize}{Smoke Rings}{\hbox to\wmdimen{Words:  \hss}Ned Washington.}{\hbox to\wmdimen{Music:  \hss}H.~Eugene Gifford.}{}{}{}{0}
\B{.75\vsize}{0pt}{So in Love}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1948}{Musical:  {\largebx Kiss Me, Kate}}{{\bf Best of Cole Porter, The}, p.~109.}{0}
\B{.75\vsize}{.5\hsize}{Some Enchanted Evening}{\hbox to\wmdimen{Words:  \hss}Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1949}{Musical:  {\largebx South Pacific}}{\vbox{\hbox{{\bf Rodgers and Hammerstein Collection,}}\vskip\sourceskip\hbox{{\bf The}, p.~325.}}}{0}
\eject

\A
\B{0pt}{0pt}{Somebody Loves Me}{\hbox to\wmdimen{Words:  \hss}Ballard MacDonald and Buddy DeSylva.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1924}{}{}{0}
\B{0pt}{.5\hsize}{Someone to Watch Over Me}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1926}{}{}{0}
\B{.25\vsize}{0pt}{Somethin' Stupid}{Words and Music:  C.~Carson Parks}{}{Copyright {\copyright} 1966}{}{}{0}
\B{.25\vsize}{.5\hsize}{Something's Coming}{\hbox to\wmdimen{Words:  \hss}Stephen Sondheim.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1957}{Musical:  {\largebx West Side Story}}{\vbox{\hbox{{\bf West Side Story.  Die bekanntesten}}\vskip\sourceskip\hbox{{\bf Melodien}, p.~26.}}}{0}
\B{.5\vsize}{0pt}{Somewhere}{\hbox to\wmdimen{Words:  \hss}Stephen Sondheim.}{\hbox to\wmdimen{Music:  \hss}Leonard Bernstein.}{Copyright {\copyright} 1957}{Musical:  {\largebx West Side Story}}{{\bf Bernstein on Broadway},  p.~210.}{0}
\B{.5\vsize}{.5\hsize}{So{\~n}e que me dejabas}{Words and Music:  Ernesto Lecuona}{}{Copyright {\copyright} 1936}{}{{\bf Songs of Ernesto Lecuona}, p.~98.}{0}
\B{.75\vsize}{0pt}{Sophisticated Lady}{\hbox to\wmdimen{Words:  \hss}Mitchell Parish and Irving Mills.}{\hbox to\wmdimen{Music:  \hss}Duke Ellington.}{Copyright {\copyright} 1933}{}{}{0}
\B{.75\vsize}{.5\hsize}{Sous le ciel de Paris}{\hbox to\wmdimen{Words:  \hss}Jean Drejac.}{\hbox to\wmdimen{Music:  \hss}Hubert Giraud.}{Copyright {\copyright} 1951 {\&} 1953}{}{Sheet Music Direct}{0}
\eject

\A
\B{0pt}{0pt}{South of the Border}{\hbox to\wmdimen{Words:  \hss}Jimmy Kennedy.}{\hbox to\wmdimen{Music:  \hss}Michael Carr.}{Copyright {\copyright} 1939}{}{}{0}
\vbox to 0pt{\C{0pt}{.5\hsize}{South Pacific}{Musical}{1949}{0}
\leftline{\hskip\Chskip\hskip\basichskip Some Enchanted Evening}
\vskip12pt
\vss}
\B{.25\vsize}{0pt}{Spanish Eyes (Moon Over Naples)}{\hbox to\wmdimen{Words:  \hss}Charles Singleton/Eddie Snyder.}{\hbox to\wmdimen{Music:  \hss}Bert Kaempfert.}{Copyright {\copyright} 1964}{}{}{0}
\B{.25\vsize}{.5\hsize}{Speak Low}{\hbox to\wmdimen{Words:  \hss}Ogden Nash.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1943, renewed 1971.}{Musical:  {\largebx One Touch of Venus}}{{\bf Kurt Weill, From Berlin to Broadway}, p.~56.}{0}
\B{.5\vsize}{0pt}{Speak Softly, Love}{\hbox to\wmdimen{Words:  \hss}Larry Kusik.}{\hbox to\wmdimen{Music:  \hss}Nino Rota.}{Copyright {\copyright} 1972}{Film:  {\largebx Godfather, The}}{}{0}
\B{.5\vsize}{.5\hsize}{Stand By Your Man}{Words and Music:  Tammy Wynette and Billy Sherrill}{}{Copyright {\copyright} 1968}{}{}{0}
\B{.75\vsize}{0pt}{Standing on the Corner}{Words and Music:  Frank Loesser}{}{Copyright {\copyright} 1956}{Musical:  {\largebx Most Happy Fella, The}}{}{0}
\B{.75\vsize}{.5\hsize}{Stardust}{\hbox to\wmdimen{Words:  \hss}Mitchell Parish.}{\hbox to\wmdimen{Music:  \hss}Hoagy Carmichael.}{Copyright {\copyright} 1929}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Stars Fell on Alabama}{\hbox to\wmdimen{Words:  \hss}Mitchell Parish.}{\hbox to\wmdimen{Music:  \hss}Frank Perkins.}{Copyright {\copyright} 1934}{}{}{0}
\B{0pt}{.5\hsize}{Stella By Starlight}{\hbox to\wmdimen{Words:  \hss}Ned Washington.}{\hbox to\wmdimen{Music:  \hss}Victor Young.}{Copyright {\copyright} 1946}{}{\vbox{\hbox{{\bf 100 Years of Popular Music 1940s,}}\vskip\sourceskip\hbox{{\bf Part Two}, p.~235.}}}{0}
\vbox to 0pt{\C{.25\vsize}{0pt}{\vtop{\hbox{Stop the World---}\vskip\titleskip\hbox{I Want to Get Off}}}{Musical}{1961}{0}
\leftline{\hskip\Chskip\hskip\basichskip What Kind of Fool Am I?}
\vskip12pt
\vss}
\vbox to 0pt{\C{.25\vsize}{.5\hsize}{Stranger in Paradise}{}{}{}{}{0}
\leftline{\hskip\Chskip\hskip\basichskip {\large See {\largebx Polowetzer T@{a}nze}}}
\vskip\titleskip\leftline{\hskip\Chskip\hskip\basichskip{\large  under {\largebx Prince Igor}}}
\vss}
\B{.5\vsize}{0pt}{Strangers in the Night}{\hbox to\wmdimen{Words:  \hss}Charles Singleton/Eddie Snyder.}{\hbox to\wmdimen{Music:  \hss}Bert Kaempfert.}{Copyright {\copyright} 1965}{}{{\bf Best of Bert Kaempfert}, p.~34.}{0}
\vbox to 0pt{\C{.5\vsize}{.5\hsize}{Street Scene}{Musical}{1946}{0}
\leftline{\hskip\Chskip\hskip\basichskip Moon-Faced, Starry-Eyed}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip What Good Would the Moon Be?}
\vskip12pt
\vss}
\B{.75\vsize}{0pt}{Sugar Foot Stomp}{\hbox to\wmdimen{Words:  \hss}None.}{\hbox to\wmdimen{Music:  \hss}Joseph Nathan ``King'' Oliver.}{Copyright {\copyright} 1923}{}{}{0}
\B{.75\vsize}{.5\hsize}{Sun Whose Rays, The}{\hbox to\wmdimen{Words:  \hss}W.S.~Gilbert.}{\hbox to\wmdimen{Music:  \hss}Arthur Sullivan.}{Year:  1885}{Operetta:  {\largebx Mikado, The}}{IMSLP}{0}
\eject

\A
\B{0pt}{0pt}{Sundown}{Words and Music:  Gordon Lightfoot}{}{Copyright {\copyright} 1973}{}{Single edition.}{0}
\B{0pt}{.5\hsize}{Sunny Side Up}{Words and Music:  \vtop{\hbox{B.G.~DeSylva, Lew Brown}\vskip\composerskip\hbox{and Ray Henderson}}}{}{Copyright {\copyright} 1929}{}{}{0}
\B{.25\vsize}{0pt}{Sure Thing}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{Copyright {\copyright} 1944}{Film:  {\largebx Cover Girl}}{}{0}
\B{.25\vsize}{.5\hsize}{Sweet Georgia Brown}{Words and Music:  Ben Bernie, Kenneth Casey and Maceo Pinkard}{}{Copyright {\copyright} 1925}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1920s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~246.}}}{0}
\FilecardSection{T}
\B{.5\vsize}{0pt}{Taking a Chance on Love}{\hbox to\wmdimen{Words:  \hss}John La Touche and Ted Fetter.}{\hbox to\wmdimen{Music:  \hss}Vernon Duke.}{Copyright {\copyright} 1940}{Musical:  {\largebx Cabin in the Sky}}{}{0}
\B{.5\vsize}{.5\hsize}{Tammy}{\hbox to\wmdimen{Words:  \hss}Ray Evans.}{\hbox to\wmdimen{Music:  \hss}Jay Livingston.}{Copyright {\copyright} 1957}{Film:  {\largebx Tammy and the Bachelor}}{}{0}
\B{.75\vsize}{0pt}{Tangerine}{\hbox to\wmdimen{Words:  \hss}Johnny Mercer.}{\hbox to\wmdimen{Music:  \hss}Victor Schertzinger.}{Copyright {\copyright} 1942 Famous Music Corp., USA}{}{}{0}
\B{.75\vsize}{.5\hsize}{Tea for Two}{\hbox to\wmdimen{Words:  \hss}Irving Caesar.}{\hbox to\wmdimen{Music:  \hss}Vincent Youmans.}{Copyright {\copyright} 1924 Harms, Inc.}{}{}{0}
\eject

\A
\B{0pt}{0pt}{Temptation}{\hbox to\wmdimen{Words:  \hss}Arthur Freed.}{\hbox to\wmdimen{Music:  \hss}Nacio Herb Brown.}{Copyright {\copyright} 1933}{Film:  {\largebx Going Hollywood}}{\vbox{\hbox{{\bf 100 Years of Popular Music, 30s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~272.}}}{0}
\B{0pt}{.5\hsize}{Ten Cents a Dance}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1930}{Musical:  {\largebx Simple Simon}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~255.}}}{0}
\B{.25\vsize}{0pt}{Tenderly}{\hbox to\wmdimen{Words:  \hss}Jack Lawrence.}{\hbox to\wmdimen{Music:  \hss}Walter Gross.}{Copyright {\copyright} 1946}{}{\vbox{\hbox{{\bf 100 Years of Popular Music 1940s,}}\vskip\sourceskip\hbox{{\bf Vol. 1}, p.~212.}}}{0}
\B{.25\vsize}{.5\hsize}{Thanks for the Memory}{\hbox to\wmdimen{Words:  \hss}Leo Robin.}{\hbox to\wmdimen{Music:  \hss}Ralph Rainger.}{Copyright {\copyright} 1938}{Film:  {\largebx Big Broadcast of 1938, The}}{}{0}
\B{.5\vsize}{0pt}{That Old Feeling}{\hbox to\wmdimen{Words:  \hss}Lew Brown.}{\hbox to\wmdimen{Music:  \hss}Sammy Fain.}{Copyright {\copyright} 1937, Renewed 1965.}{Film:  {\largebx Vogues of 1938}}{}{0}
\B{.5\vsize}{.5\hsize}{The Sweetheart of Sigma Chi}{\hbox to\wmdimen{Words:  \hss}Byron D.~Stokes.}{\hbox to\wmdimen{Music:  \hss}F.~Dudleigh Vernor.}{Copyright {\copyright} 1911}{}{}{0}
\B{.75\vsize}{0pt}{There'll Be Some Changes Made}{\hbox to\wmdimen{Words:  \hss}Billy Higgins.}{\hbox to\wmdimen{Music:  \hss}Benton Overstreet.}{Copyright {\copyright} 1921}{}{}{0}
\B{.75\vsize}{.5\hsize}{\vbox{\hbox{There's a Boat That's Leavin'}\vskip\titleskip\hbox{Soon for New York}}}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1935}{Opera:  {\largebx Porgy and Bess}}{\vbox{\hbox{{\bf Summertime, The Greatest Songs}}\vskip\sourceskip\hbox{{\bf of George Gershwin}, p.~44.}}}{0}
\eject

\A
\B{0pt}{0pt}{There's No Business Like Show Business}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1946}{Musical:  {\largebx Annie Get Your Gun}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The.}}\vskip\sourceskip\hbox{{\bf Broadway Songs}, p.~102.}}}{0}
\B{0pt}{.5\hsize}{These Foolish Things}{\hbox to\wmdimen{Words:  \hss}Holt Marvell (Eric Maschwitz).}{\hbox to\wmdimen{Music:  \hss}Jack Strachey.}{Copyright {\copyright} 1935}{}{}{0}
\B{.25\vsize}{0pt}{They Call the Wind Maria}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{Copyright {\copyright} 1951}{Musical:  {\largebx Paint Your Wagon}}{}{0}
\B{.25\vsize}{.5\hsize}{They Can't Take That Away From Me}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1937}{Film:  {\largebx Shall We Dance}}{\vbox{\hbox{{\bf Summertime, The Greatest Songs}}\vskip\sourceskip\hbox{{\bf of George Gershwin}, p.~127.}}}{0}
\B{.5\vsize}{0pt}{They Say it's Wonderful}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1946}{Musical:  {\largebx Annie Get Your Gun}}{{\bf Songs of Irving Berlin, The, Ballads}, p.~86.}{0}
\B{.5\vsize}{.5\hsize}{Things We Did Last Summer, The}{\hbox to\wmdimen{Words:  \hss}Sammy Cahn.}{\hbox to\wmdimen{Music:  \hss}Jule Styne.}{Copyright {\copyright} 1946}{}{{\bf New Sammy Cahn Songbook, The}, p.~80.}{0}
\B{.75\vsize}{0pt}{This Can't be Love}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{}{}{}{0}
\B{.75\vsize}{.5\hsize}{Thou Swell}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1927}{Musical:  {\largebx Connecticut Yankee, A}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~82}}}{0}
\eject

\A
\B{0pt}{0pt}{Three Little Maids from School}{\hbox to\wmdimen{Words:  \hss}W.S.~Gilbert.}{\hbox to\wmdimen{Music:  \hss}Arthur Sullivan.}{Year:  1885}{Operetta:  {\largebx Mikado, The}}{IMSLP}{0}
\B{0pt}{.5\hsize}{Three Little Words}{\hbox to\wmdimen{Words:  \hss}Bert Kalmar.}{\hbox to\wmdimen{Music:  \hss}Harry Ruby.}{Copyright {\copyright} 1930}{}{\vbox{\hbox{{\bf 100 Years of Popular Music,}}\vskip\sourceskip\hbox{{\bf 1930s, Volume 1}, p.~284.}}}{0}
\B{.25\vsize}{0pt}{Ti Guarder{\`e}ro Nel Cuore (More)}{\hbox to\wmdimen{Words:  \hss}Marcello Ciorciolini.}{\hbox to\wmdimen{Music:  \hss}Nino Oliviero and Riz Ortolani.}{Copyright {\copyright} 1962}{Film:  {\largebx Mondo Cane}}{\vbox{\hbox{{\bf The Big Book of '50s {\&} '60s}}\vskip\sourceskip\hbox{{\bf Swinging Songs}, p.~136.}}}{0}
\B{.25\vsize}{.5\hsize}{Tico Tico no Fuba}{\hbox to\wmdimen{Words:  \hss}Aloysio de Oliveira.}{\hbox to\wmdimen{Music:  \hss}Zequinha de Abreu.}{Copyright {\copyright} 1917}{}{}{0}
\B{.5\vsize}{0pt}{Tiptoe Through the Tulips With Me}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Joe Burke.}{Copyright {\copyright} 1929}{}{}{0}
\B{.5\vsize}{.5\hsize}{Tom, Dick or Harry}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1949}{Musical:  {\largebx Kiss Me, Kate}}{{\bf Kiss Me, Kate, Vocal Score}, p.~62.}{0}
\B{.75\vsize}{0pt}{Tomo y Obligo}{\hbox to\wmdimen{Words:  \hss}Manuel Romero.}{\hbox to\wmdimen{Music:  \hss}Carlos Gardel.}{Copyright {\copyright} 1931}{}{{\bf Carlos Gardel, Tangos ${\rm V}^{\rm o}$ I}, p.~17.}{0}
\B{.75\vsize}{.5\hsize}{Toot Toot Tootsie, Goo'bye}{Words and Music:  \vtop{\hbox{Gus Kahn, Ernie Erdman,}\vskip\composerskip\hbox{Dan Russo and Ted Fiorito}}}{}{Copyright {\copyright} 1922}{Musical:  {\largebx Bombo}}{\vbox{\hbox{{\bf 100 Years of Popular Music, 20s,}}\vskip\sourceskip\hbox{{\bf Volume 2}, p.~281.}}}{0}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{Top Hat}{Film}{1935}{0}
\leftline{\hskip\Chskip\hskip\basichskip Top Hat, White Tie and Tails}
\vskip12pt
\vss}
\B{0pt}{.5\hsize}{Top Hat, White Tie and Tails}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1935}{Film:  {\largebx Top Hat}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The,}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~102.}}}{0}
\B{.25\vsize}{0pt}{Top of the World}{\hbox to\wmdimen{Words:  \hss}John Bettis.}{\hbox to\wmdimen{Music:  \hss}Richard Carpenter.}{Copyright {\copyright} 1972}{}{{\bf Carpenters, Greatest Hits}, p.~38.}{0}
\B{.25\vsize}{.5\hsize}{Two Sleepy People}{\hbox to\wmdimen{Words:  \hss}Frank Loesser.}{\hbox to\wmdimen{Music:  \hss}Hoagy Carmichael.}{\vbox{\hbox{Copyright {\copyright} 1938 (Renewed 1965)}\vskip\copyrightskip\hbox{by Famous Music Corporation.}}}{Film:  {\largebx Thanks for the Memory}}{{\bf The Hoagy Carmichael Songbook}, p.~240.}{0}
\FilecardSection{U}
\B{.5\vsize}{0pt}{Unforgettable}{Words and Music:  Irving Gordon}{}{Copyright {\copyright} 1951}{}{}{0}
\FilecardSection{V}
\vbox to 0pt{\C{.5\vsize}{.5\hsize}{Very Next Man, (I'll Marry) The}{}{}{}{}{0}
\leftline{\hskip\Chskip\hskip\basichskip {\large See {\largebx (I'll Marry) The Very Next Man}}}
\vskip\titleskip\leftline{\hskip\Chskip\hskip\basichskip{\large  under {\largebx Fiorello!}}}
\vss}
\B{.75\vsize}{0pt}{Very Thought of You, The}{Words and Music:  Ray Noble}{}{Copyright {\copyright} 1934}{}{\vbox{\hbox{{\bf 100 Years of Popular Music,}}\vskip\sourceskip\hbox{{\bf 1930s, Part Two}, p.~327.}}}{0}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{Volare}{}{}{}{}{0}
\leftline{\hskip\Chskip\hskip\basichskip {\large See {\largebx Nel blu dipinto di blu}}}
\vss}
\eject

\A
\B{0pt}{0pt}{Volver}{\hbox to\wmdimen{Words:  \hss}Alfredo Le Pera.}{\hbox to\wmdimen{Music:  \hss}Carlos Gardel.}{Copyright {\copyright} 1934}{}{{\bf Carlos Gardel, Tangos ${\rm V}^{\rm o}$ I}, p.~29.}{0}
\FilecardSection{W}
\B{0pt}{.5\hsize}{Wand'ring Minstrel I, A}{\hbox to\wmdimen{Words:  \hss}W.S.~Gilbert.}{\hbox to\wmdimen{Music:  \hss}Arthur Sullivan.}{Year:  1885}{Operetta:  {\largebx Mikado, The}}{IMSLP}{0}
\B{.25\vsize}{0pt}{Wave}{Words and Music:  Antonio Carlos Jobim}{}{Copyright {\copyright} 1967, 1968 (Renewed)}{}{\vbox{\hbox{{\bf Definitive Antonio Carlos Jobim}}\vskip\sourceskip\hbox{{\bf Collection, The}, p.~206.}}}{0}
\B{.25\vsize}{.5\hsize}{Way You Look Tonight, The}{\hbox to\wmdimen{Words:  \hss}Dorothy Fields.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{}{Film:  {\largebx Swing Time}}{}{0}
\B{.5\vsize}{0pt}{We Open in Venice}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1949}{Musical:  {\largebx Kiss Me, Kate}}{{\bf Kiss Me, Kate, Vocal Score}, p.~56.}{0}
\B{.5\vsize}{.5\hsize}{Wedding of the Painted Doll, The}{\hbox to\wmdimen{Words:  \hss}Arthur Freed.}{\hbox to\wmdimen{Music:  \hss}Nacio Herb Brown.}{Copyright {\copyright} 1929}{Film:  {\largebx Broadway Melody, The}}{}{0}
\B{.75\vsize}{0pt}{We'll Meet Again}{Words and Music:  Ross Parker and Hughie Charles}{}{Copyright {\copyright} 1939}{}{{\bf Library of Jazz Standards, The}, p.~288.}{0}
\B{.75\vsize}{.5\hsize}{Wer hat das Liedlein erdacht?}{\hbox to\wmdimen{Words:  \hss}Anonymous, Gustav Mahler.}{\hbox to\wmdimen{Music:  \hss}Gustav Mahler.}{Copyright {\copyright} 1914}{\vtop{\hbox{Song Cycle:}\vskip\titleskip\hbox{{\largebx 14 Lieder aus Des Knaben Wunderhorn}}}}{\vbox{\hbox{{\bf 14 Lieder aus Des Knaben Wunderhorn}}\vskip\sourceskip\hbox{{\bf f@{u}r tiefe Stimme und Klavier}, p.~20.}}}{0}
\eject

\A
\vbox to 0pt{\C{0pt}{0pt}{We're in the Money}{}{}{}{}{0}
\leftline{\hskip\Chskip\hskip\basichskip {\large See {\largebx \ifalltex Gold Diggers' Song, The\hfil\vskip0pt\S (We're in the Money)\else\vtop{\largebx{\hbox{Gold Diggers' Song, The}\vskip\titleskip\hbox{\hskip-\basichskip(We're in the Money)}}}\fi}}}
\vss}
\vbox to 0pt{\C{0pt}{.5\hsize}{West Side Story}{Musical}{1957}{0}
\leftline{\hskip\Chskip\hskip\basichskip Cool}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Jet Song}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Something's Coming}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Somewhere}
\vskip12pt
\vss}
\B{.25\vsize}{0pt}{We've Only Just Begun}{\hbox to\wmdimen{Words:  \hss}Paul Williams.}{\hbox to\wmdimen{Music:  \hss}Roger Nichols.}{Copyright {\copyright} 1970}{}{{\bf Carpenters, Greatest Hits}, p.~5.}{0}
\B{.25\vsize}{.5\hsize}{What a Wonderful World}{Words and Music:  \vtop{\hbox{George David Weiss}\vskip\composerskip\hbox{and Bob Thiele}}}{}{Copyright {\copyright} 1967}{}{{\bf 150 of the Most Beautiful Songs Ever}, p.~504.}{0}
\B{.5\vsize}{0pt}{What Good Would the Moon Be?}{\hbox to\wmdimen{Words:  \hss}Langston Hughes.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1946}{Musical:  {\largebx Street Scene}}{{\bf Kurt Weill, From Berlin to Broadway}, p.~79.}{0}
\B{.5\vsize}{.5\hsize}{What Is This Thing Called Love?}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1929}{Revue:  {\largebx Wake Up and Dream}}{{\bf Best of Cole Porter, The}, p.~142.}{0}
\B{.75\vsize}{0pt}{What Kind of Fool Am I?}{Words and Music:  \vtop{\hbox{Leslie Bricusse and}\vskip\titleskip\hbox{Anthony Newley}}}{}{Copyright {\copyright} 1961}{\vtop{\hbox{Musical:}\vskip\titleskip\hbox{{\largebx Stop the World---I Want to Get Off}}}}{{\bf 150 of the Most Beautiful Songs Ever}, p.~508.}{0}
\B{.75\vsize}{.5\hsize}{Whatever Lola Wants (Lola Gets)}{Words and Music:  Richard Adler and Jerry Ross}{}{Copyright {\copyright} 1955}{Musical:  {\largebx Damn Yankees}}{{\bf Damn Yankees, Vocal Selections}, p.~5.}{0}
\eject

\A
\B{0pt}{0pt}{When I Fall in Love}{\hbox to\wmdimen{Words:  \hss}Edward Heyman.}{\hbox to\wmdimen{Music:  \hss}Victor Young.}{Copyright {\copyright} 1952}{Film:  {\largebx One Minute to Zero}}{\vbox{\hbox{{\bf Nat ``King'' Cole, Unforgettable.}}\vskip\sourceskip\hbox{{\bf Legendary Performers -- Volume 9}, p.~9.}}}{0}
\B{0pt}{.5\hsize}{When You're Smiling}{Words and Music:  \vtop{\hbox{Mark Fisher, Joe Goodwin}\vskip\composerskip\hbox{and Larry Shay}}}{}{Copyright {\copyright} 1928}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1920s,}}\vskip\sourceskip\hbox{{\bf Volume 2}, p.~299.}}}{0}
\B{.25\vsize}{0pt}{\vbox{\hbox{Where Do I Begin?}\vskip\titleskip\hbox{(Theme from Love Story)}}}{\hbox to\wmdimen{Words:  \hss}Carl Sigman.}{\hbox to\wmdimen{Music:  \hss}Francis Lai.}{Copyright {\copyright} 1970}{}{Single edition.}{0}
\B{.25\vsize}{.5\hsize}{Where is Love?}{Words and Music:  Lionel Bart}{}{\vtop{\hbox{Copyright {\copyright} 1959 by}\vskip\copyrightskip\hbox{Lakeview Music Publishing Company Limited.}}}{Musical:  {\largebx Oliver!}}{{\bf Lionel Bart's Oliver, Vocal Selections}, p.~25.}{0}
\B{.5\vsize}{0pt}{Where or When}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1937}{Musical:  {\largebx Babes in Arms}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~22.}}}{0}
\vbox to 0pt{\C{.5\vsize}{.5\hsize}{Where's Charlie?}{Musical}{1948}{0}
\leftline{\hskip\Chskip\hskip\basichskip Once in Love with Amy}
\vskip12pt
\vss}
\B{.75\vsize}{0pt}{Whispering}{Words and Music:  John Schonberger, Richard Coburn and Vincent Rose}{}{Copyright {\copyright} 1919}{}{\vbox{\hbox{{\bf 100 Years of Popular Music, 1920s,}}\vskip\sourceskip\hbox{{\bf Volume 1}, p.~294.}}}{0}
\B{.75\vsize}{.5\hsize}{White Christmas}{Words and Music:  Irving Berlin}{}{Copyright {\copyright} 1942}{Film:  {\largebx Holiday Inn}}{\vbox{\hbox{{\bf Songs of Irving Berlin, The.}}\vskip\sourceskip\hbox{{\bf Movie Songs}, p.~112.}}}{0}
\eject

\A
\B{0pt}{0pt}{Who Will Buy?}{Words and Music:  Lionel Bart}{}{\vtop{\hbox{Copyright {\copyright} 1959 by}\vskip\copyrightskip\hbox{Lakeview Music Publishing Company Limited.}}}{Musical:  {\largebx Oliver!}}{{\bf Lionel Bart's Oliver, Vocal Selections}, p.~97.}{0}
\B{0pt}{.5\hsize}{Why Was I Born?}{\hbox to\wmdimen{Words:  \hss}Oscar Hammerstein II.}{\hbox to\wmdimen{Music:  \hss}Jerome Kern.}{Copyright {\copyright} 1929}{Musical:  {\largebx Sweet Adeline}}{{\bf Jerome Kern Collection}, p.~97.}{0}
\B{.25\vsize}{0pt}{Wie lange noch?}{\hbox to\wmdimen{Words:  \hss}Walter Mehring.}{\hbox to\wmdimen{Music:  \hss}Kurt Weill.}{Copyright {\copyright} 1981.}{}{{\bf Unknown Kurt Weill, The}, p.~23.}{0}
\B{.25\vsize}{.5\hsize}{Wien, Wien nur du allein}{Words and Music:  Rudolf Sieczynski}{}{Copyright {\copyright} 1916.}{}{{\bf 100 Years of Popular Music, 1900}, p.~381.}{0}
\B{.5\vsize}{0pt}{Willkommen}{\hbox to\wmdimen{Words:  \hss}Fred Ebb.}{\hbox to\wmdimen{Music:  \hss}John Kander.}{Copyright {\copyright} 1966}{Musical:  {\largebx Cabaret}}{{\bf Vocal Selections from Cabaret}, p.~2.}{0}
\B{.5\vsize}{.5\hsize}{Windmills of Your Mind, The}{\hbox to\wmdimen{Words:  \hss}Alan and Marilyn Bergman.}{\hbox to\wmdimen{Music:  \hss}Michel Legrand.}{Copyright {\copyright} 1968}{Film:  {\largebx Thomas Crown Affair, The}}{{\bf Michel Legrand Songbook, The}, p.~175.}{0}
\B{.75\vsize}{0pt}{Winter Wonderland}{\hbox to\wmdimen{Words:  \hss}Richard B.~Smith.}{\hbox to\wmdimen{Music:  \hss}Felix Bernard.}{Copyright {\copyright} 1934}{}{\vtop{\hbox{\bf 100 Years of Popular Music, 1930s,}\vskip\sourceskip\hbox{{\bf Part Two}, p.~354.}}}{0}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{Winterreise, Die}{Song Cycle}{1827}{0}
\leftline{\hskip\Chskip\hskip\basichskip Gute Nacht}
\vskip12pt
\vss}
\eject

\A
\B{0pt}{0pt}{Woman in Love, A}{Words and Music:  Frank Loesser}{}{Copyright {\copyright} 1955}{{\largebx Guys and Dolls (Film)}}{{\bf Guys and Dolls, Vocal Selections}, p.~2.}{0}
\B{0pt}{.5\hsize}{Woman is a Sometime Thing, A}{\hbox to\wmdimen{Words:  \hss}Ira Gershwin and DuBose Heyward.}{\hbox to\wmdimen{Music:  \hss}George Gershwin.}{Copyright {\copyright} 1935}{Opera:  {\largebx Porgy and Bess}}{\vbox{\hbox{{\bf Summertime, The Greatest Songs}}\vskip\sourceskip\hbox{{\bf of George Gershwin}, p.~48.}}}{0}
\vbox to 0pt{\C{.25\vsize}{0pt}{Wonderful Town}{Musical}{1953}{0}
\leftline{\hskip\Chskip\hskip\basichskip It's Love}
\vskip12pt
\leftline{\hskip\Chskip\hskip\basichskip Little Bit in Love, A}
\vskip12pt
\vss}
\B{.25\vsize}{.5\hsize}{Wouldn't It Be Loverly?}{\hbox to\wmdimen{Words:  \hss}Alan Jay Lerner.}{\hbox to\wmdimen{Music:  \hss}Frederick Loewe.}{Copyright {\copyright} 1956}{Musical:  {\largebx My Fair Lady}}{}{0}
\B{.5\vsize}{0pt}{Wrap Your Troubles in Dreams}{\hbox to\wmdimen{Words:  \hss}Ted Koehler and Billy Moll.}{\hbox to\wmdimen{Music:  \hss}Harry Barris.}{Copyright {\copyright} 1931}{}{}{0}
\FilecardSection{Y}
\B{.5\vsize}{.5\hsize}{Yacht Club Swing}{\hbox to\wmdimen{Words:  \hss}J.C.~Johnson.}{\hbox to\wmdimen{Music:  \hss}Thomas ``Fats'' Waller and Herman Autrey.}{Copyright {\copyright} 1938}{}{{\bf Ain't Misbehavin', Vocal Selections}, p.~54.}{0}
\B{.75\vsize}{0pt}{You Go to My Head}{\hbox to\wmdimen{Words:  \hss}Haven Gillespie.}{\hbox to\wmdimen{Music:  \hss}J.~Fred Coots.}{Copyright {\copyright} 1938 Remick Music}{}{}{0}
\B{.75\vsize}{.5\hsize}{You Made Me Love You}{\hbox to\wmdimen{Words:  \hss}Joe McCarthy.}{\hbox to\wmdimen{Music:  \hss}James Monaco.}{Copyright {\copyright} 1913}{}{{\bf 100 Years of Popular Music, 1900}, p.~405.}{0}
\eject

\A
\B{0pt}{0pt}{You Took Advantage of Me}{\hbox to\wmdimen{Words:  \hss}Lorenz Hart.}{\hbox to\wmdimen{Music:  \hss}Richard Rodgers.}{Copyright {\copyright} 1928}{Musical:  {\largebx Present Arms}}{\vbox{\hbox{{\bf Rodgers and Hart,}}\vskip\sourceskip\hbox{{\bf A Musical Anthology}, p.~248.}}}{0}
\B{0pt}{.5\hsize}{You'll Never Know (Just How Much I Love You)}{\hbox to\wmdimen{Words:  \hss}Mack Gordon.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1943}{}{\vbox{\hbox{{\bf 100 Years of Popular Music,}}\vskip\sourceskip\hbox{{\bf 1940s, Part One}, p.~260.}}}{0}
\B{.25\vsize}{0pt}{Young and Healthy}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1933}{Film:  {\largebx 42nd Street}}{\vbox{\hbox{{\bf 42nd Street, All the Vocal Selections}}\vskip\sourceskip\hbox{{\bf from 42nd Street}, p.~16.}}}{0}
\B{.25\vsize}{.5\hsize}{You're Getting to Be a Habit With Me}{\hbox to\wmdimen{Words:  \hss}Al Dubin.}{\hbox to\wmdimen{Music:  \hss}Harry Warren.}{Copyright {\copyright} 1933}{Film:  {\largebx 42nd Street}}{\vbox{\hbox{{\bf 42nd Street, All the Vocal Selections}}\vskip\sourceskip\hbox{{\bf from 42nd Street}, p.~24.}}}{0}
\B{.5\vsize}{0pt}{You're Nobody 'Til Somebody Loves You}{Words and Music:  \vtop{\hbox{Russ Morgan, Larry Stock}\vskip\composerskip\hbox{and James Cavanaugh}}}{}{Copyright {\copyright} 1944}{}{\vbox{\hbox{{\bf The Big Book of '50s {\&} '60s}}\vskip\sourceskip\hbox{{\bf Swinging Songs}, p.~241.}}}{0}
\B{.5\vsize}{.5\hsize}{You're the Top}{Words and Music:  Cole Porter}{}{Copyright {\copyright} 1934}{Musical:  {\largebx Anything Goes}}{{\bf Best of Cole Porter, The}, p.~158.}{0}
\B{.75\vsize}{0pt}{You've Got That Look}{\hbox to\wmdimen{Words:  \hss}Friedrich Hollaender.}{\hbox to\wmdimen{Music:  \hss}Frank Loesser.}{Copyright {\copyright} 1939}{Film:  {\largebx Destry Rides Again}}{\vbox{\hbox{{\bf Marlene Dietrich Sings}}\vskip\sourceskip\hbox{{\bf Friedrich Hollaender}, p.~46.}}}{0}
\FilecardSection{Z}
\vbox to 0pt{\C{.75\vsize}{.5\hsize}{Zauberfl@{o}te, Die}{Opera}{1791}{0}
\leftline{\hskip\Chskip\hskip\basichskip Alles f@{u}hlt der Liebe Freuden}
\vskip12pt
\vss}
\eject

\A
\B{0pt}{0pt}{Zwei M@{a}rchenaugen}{\hbox to\wmdimen{Words:  \hss}Julius Brammer und Alfred Gr@{u}nwald.}{\hbox to\wmdimen{Music:  \hss}Emmerich K{\'a}lm{\'a}n.}{Copyright {\copyright} 1926}{Operetta:  {\largebx Zirkusprinzessin, Die}}{}{0}

\endgroup
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